Oddly enough, this group came back into public view in 1946 in an art dealer’s window in Fifty-seventh Street, New York City. It was found to have been purchased by a Philadelphian at an auction sale of the effects of “Diamond Jim Brady.” A copy made from this is now in the Witte Art Museum, San Antonio, Texas. All in all, in 1900 Gutzon Borglum was one of the most popular artists in England. He lived in a comfortable villa, he had plentiful work, and what he did was enthusiastically received. And mental dejection did not keep him from having a rather full and varied social life. In a letter to Mrs. Frémont he mentioned meeting a Madame Helen Bricka, who brought his work to the attention of the Duke and Duchess of Teck of whose household she was a member. Gutzon visited the Duke and Duchess and so met, and threw into the air, a little boy who grew up to be the Duke of Windsor and, for a time, the King of England. Through Madame Bricka he was summoned by Queen Victoria to bring his work, both painting and sculpture, to Windsor Castle for an exhibition. But for a young man born on the shore of Bear Lake, Idaho, the invitation was not clear enough. One may be permitted a bit of speculation as to what might have happened if he had caught the meaning--if he had paraded with his work under royal patronage before the aristocracy of Great Britain. But it is futile thought. He sent his art to Windsor for an exhibition, but he never met the queen. It never occurred to him that a queen might want to see him. He had a very successful one-man show at Macmillan’s in Bond Street, and he made many friends in England and France, some of them American artists. Some of these appeared later in his life and in his correspondence in the United States. One of them was Carl Sobieski, descendant of the famous Polish general. Another, who noted his experience entertainingly, was the writer R. M. Eassie. He told Gutzon of hearing of his connection with the Angels of St. John the Divine, in the heart of Africa, thirty-five miles from the nearest whites. One of Gutzon’s last entries in his London journal tells of a party in 1901 at his home, “Harlestone Villa,” in St. John’s Wood. It is worth mentioning in that it honored Isadora Duncan and marked her debut as a dancer. Gutzon had known the Duncans in California. Isadora’s father had recently been in London and was on his way back to America when his ship, the _Mohegan_ foundered off the Irish coast. The sculptor had gone from England to take charge of Duncan’s body and to see that he was properly buried.