On the 17th of August, 1894, my brother and I arrived at Besançon, the Vesontio of the Romans, bent on seeing the Glacière de Chaux-les-Passavant or de la Grâce-Dieu, which is not far distant from the town. The hotel we stopped at was pretty bad; the beds were surmounted with those old-fashioned curtains which were of use before the invention of glass windows, but which now only serve to exclude air and ventilation. However, I learnt something of the manners and customs of the country, for on getting down at six o'clock the next morning for breakfast, the first question the waiter asked was: _Quel vin monsieur prendra-t-il?_ At seven o'clock we sallied forth in a little open one-horse victoria, with a dull gray sky overhead. Besançon is well down in a valley, so the first five miles of the road were a slow, gradual rise to the surrounding levels. The scenery as we drove along reminded us of Turner's pictures: distant vistas of hills and valleys with factories blowing off their smoke and with tumble-down old houses ensconced in picturesque nooks, just those long-distance effects that Turner loved to paint and which, for some reason, the artists of the present generation have generally neglected and usually speak of as unpaintable or unpicturesque. There was a row of trees, the whole way, on each side of the road, a bit of practical forestry, the wisdom of which it would be well for Americans to recognize. After our poor horse had pulled us up the long hills, we had an almost level road running in a straight line as far as the eye could see. We saw at least a hundred little hawks, who live on field mice and other rodents, and whose preservation is another evidence of French wisdom. The last four miles of the drive was up a ravine in the woods, near the beginning of which we passed the Trappist convent of la Grâce-Dieu. [Illustration: GLACIÈRE DE CHAUX-LES-PASSAVANT. From a Photograph by E. Mauvillier. ]