Whilst the widow talks on in this strain to her sympathising friends, her son and Rowland Prothero are in another small room of the house, engaged in a very different style of conversation. The room in which they are is worth a few words of description, not for any beauty or desert of its own, but for its heterogeneous, contents. You would think a small music warehouse, a miniature tobacco shop, or branch depot of foreign grammars and dictionaries were before you. Every kind of musical instrument seems to have met with a companion in this tiny apartment. Here are a violin, violoncello, horn, and cornopean; there an old Welsh harp and unstrung guitar. On this shelf are pipes of all sorts and sizes, forms, and nations--the straight English, the short German, and the long Turkish; on that are cigar-boxes, snuff-boxes, and tobacco-boxes of various kinds and appearances. Scattered about the room are play-books without number, from Shakspeare to the dramatists of the present day; and, interspersed with these, collections of songs of all countries and of all grades of merit. Some few novels, mostly French, live with the plays and songs; and Latin, French, German, Italian, Welsh, Spanish, and English grammars and dictionaries take up their abode in every available corner. A quantity of fishing tackle and a gun are thrown upon the window seat, and an embroidered waistcoat, blue satin cravat, and a pair of yellow kid gloves lie on an unoccupied chair. From the general appearance of this room, the imagination would conceive great things of its inmate. All we shall here say is that he is one who has the reputation of being a natural genius, and firmly believes that he is one. As all natural geniuses are supposed to have something very remarkable in their appearance, we will just take a sketch of the miser's son, as he alternately leans on the table or stalks about the room during his earnest conversation with his cousin. He has decidedly sentimental hair; long, black, shining, and with a tendency to curl; he has what might be termed poetical eyes, bright, piercing, and very restless; the sharp, aquiline nose of his father, slightly modified; and a mouth and brow which curl and knit in a manner that may be poetic, but might be disagreeable, under less soothing influences. That he is very handsome no one could dispute, and it is equally certain that he has an air much above the position in which he was born; but the expression of his face inspires distrust rather than confidence, and conveys the impression that there is more of passion than feeling beneath the fiery eyes and compressed mouth.