I have already noticed the coincidence of the sudden development of the
manufacture of glass in Egypt with the first close contact, at the
period of the Eighteenth Dynasty, of the Egyptians with races already
affected by Babylonian culture; and we must remember that the glass
made within a few years of this first contact was never surpassed in
later times. Nor must we overlook the classical tradition concerning
the invention of glass handed down to us by Pliny and other writers.
According to this tradition, glass was first made by Phœnician traders
on the coast of Syria. Here, at any rate, the three great requisites
for the manufacture were at hand—a pure silica in the convenient form
of a white sand, alkali either from the ashes of marine plants or from
adjacent salt deposits, and finally, an abundant supply of fuel. And
yet, for the present, all that can be said is that we must associate
all the early glass that has been found in other countries than Egypt
with the trading peoples of the Eastern Mediterranean, whether
Pelasgians, Carians, or Phœnicians. To a similar source we may refer
the rare glass beads found in tombs of the bronze period in Western
Europe, as well perhaps as the scanty specimens of glass that have come
from Assyria and Persia. To these last we will now turn.
Of glass of undoubted Assyrian origin, by far the most important
example known to us is the little barrel-shaped vase with stunted
handles found so many years ago by the late Sir Henry Layard in the
ruins of Kouyunjik. This little vessel, after many vicissitudes, has
found its way into the British Museum. It is three and a quarter inches
in height, and is formed of a glass that is perfectly white and nearly
transparent; it still remains, indeed, our earliest example of such
glass. The date is fixed to the latter part of the seventh century
B.C., by an inscription cut in cuneiform characters containing the name
of Sargon, together with his titles as king of Assyria; on it is also
engraved the figure of a lion. Layard speaks of this vase as being
shaped and hollowed on a turner’s lathe after being ‘_blown in one
solid piece_’ (_Nineveh and Babylon_, 1853)—a curious expression for
one who interested himself so much in the manufacture of glass! We may,
perhaps, regard it as having been carved like an object of rock crystal
out of a solid piece of glass. We know of nothing like it from Egypt,
but then the Egyptians had no love for transparent, colourless
materials; from an early time, as we have seen, they had covered their
beads of rock crystal with a blue glaze (cf. p. 20). Here I may add
that the other specimens of glass discovered by Layard at Nineveh have
no claim to so early a date. Among them, however, were two bowls of
great interest, formed of a _vetro di trina_ or ‘lace glass,’ with very
fine meshes. These are now in the Assyrian Department of the British
Museum. Some almost identical bowls from the late Greek tombs of
Public-domain text, read in full here on John Shaqi.
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