Before the war the optical glass trade was confined to a few firms in
this country, who supplied only a fraction of our needs. We have been
dependent mostly upon continental supplies of optical glass, and it is
only quite recently that Government state assistance has been
forthcoming in giving scientific aid to manufacturers by investigating
and reorganising this section of the glass industry. It is to be hoped
that this state assistance will continue, and that the optical branch of
the glass trade will be perfected to such an extent that we may in
future be independent, and produce for ourselves all the optical glass
requirements of our navy and army. It is to be regretted that this
industry did not receive state assistance before the war. If it had, we
should certainly have been better prepared and equipped than was the
case at the start of the Great War.
------------------------------------------------------------------------
CHAPTER XV
DECORATED GLASSWARE
Certain methods of decorating glass are carried out whilst the glass is
being made by the workmen. Other methods consist in decorating the glass
after it has been made, such as cutting, fluting, etching, engraving,
and enamelling. In another form of decoration the method consists of a
combination of two or more of the above processes. The crystal glass may
be cased over with a thin covering of coloured glass by the glass
worker, and this outer coloured casing cut through by the glass cutters,
exposing and showing through the colourless crystal underneath with very
effective results.
A small portion of coloured glass, such as citron green, topaz, blue, or
ruby metal is gathered from the pot by an assistant, and the workman,
gathering a ball of crystal glass on his blow-iron, allows a portion of
the coloured metal held by the assistant to fall or drop upon the ball
of crystal. Upon blowing the whole out, the coloured metal is spread as
a thin casing upon the outside of the bulb of crystal. This bulb is then
worked into a wine-glass or other article, which, after annealing, is
sent to the glass cutter, who decorates the outer surface by cutting the
glass on his wheel. The colourless glass then shows through against the
coloured surface where it has been cut to the pattern, the colour
standing out in relief.
In another form of decoration, the workman allows small pear-shaped
tears or drops of coloured glass to fall upon the outer surface of a
bowl or vase, in equidistant positions round the circumference of the
article, By placing and working the coloured glass into position in this
way, some pretty artistic results are obtained, dependent upon the skill
and artistic taste of the workmen.
Public-domain text, read in full here on John Shaqi.
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