Finally, the process of flattening is apt to introduce defects of its
own. The most common of these are scratches arising from marks left by
the flattening tool; indeed, in all sheet glass it is quite possible
to see, by careful examination of the surfaces, upon which side the
flattening tool was used. Sheet-glass thus has one side decidedly
brighter and better in surface than the other, the better side being
that which rested upon the “lagre” during the flattening process. On
the other hand, if the slab itself be not quite perfect, or if any
foreign body be allowed to rest upon it, that side of the glass will be
marked in a corresponding manner.
In the account of the manufacture of sheet-glass given above, we have
outlined one typical form of the process, but nearly every stage is
subject to modifications according to the practice and particular
circumstances of each works. We will now describe one or two special
modifications that are of more general importance.
First, as regards the melting process, although the tank-furnace
has almost entirely superseded the pot furnace for the production
of ordinary sheet-glass, there are still some special circumstances
under which the pot furnace is capable of holding its own. Thus,
where for special purposes it is desired to produce a variety of
sheet-glass which, as regards all defects arising out of the glass
itself, and especially as regards colour, is required to be as perfect
as possible, melting in pots is found advantageous, and for some very
special purposes even covered (hooded) pots are used. For such special
purposes, too, sulphate of soda is eliminated from the raw materials
and carbonate of soda (soda ash) substituted. For the production of
tinted glasses also, whether they are tinted throughout their mass,
or merely covered with a thin layer of tinted glass (“flashed”),
manufacture in pot rather than tank furnaces is generally adopted,
the exact nature and composition of the glass being far better under
control in the case of pots.
Public-domain text, read in full here on John Shaqi.
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