Once their attention had been drawn to these facts, modern glass-makers
endeavoured, and with much success, to reproduce the desirable
qualities of the ancient glass, while still availing themselves of
modern methods to produce more stable glasses and a wider range of
colours. The irregular surface of the old glass is imitated by using
rolled or “muffed” instead of ordinary blown glass, while the internal
texture is rendered non-homogeneous by the deliberate introduction of
solid and gaseous impurities and by manipulations so arranged as to
leave the glass in layers of different density, which appear in the
finished glass as “striæ.” As a consequence, it is probably not too
much to claim that the modern workers in coloured glass have materials
at their disposal which are at least as suitable for the purpose as
those that were available in the best days of the ancient art.
Some reference has already been made to the technical uses of coloured
glass, but one or two further points in that connection remain to be
discussed. For such technical purposes as railway and marine signals,
the consensus of practical experience has decided in favour of certain
colours of glass, such as red and green of particular tints. On the
other hand, for various purposes in connection with photography,
the glass-maker does not appear to have been able to meet the new
requirements, with the result that flimsy and otherwise unsatisfactory
screens made of gelatine or celluloid stained with organic dyes are
employed in place of coloured glass in such cases, for example, as the
covering of lamps for use in photographers’ “dark” rooms, and for the
light-filters used for orthochromatic and tri-chromatic photography.
In all these cases it is necessary to use a transparent coloured
medium which transmits only light of a certain very definite range of
wave-lengths, and there is no doubt that for the glass-maker, who is
confined to the use of a number of elementary bodies for his colouring
media, it is by no means easy to comply with these requirements of
exact transmission and absorption. On the other hand, the field of
available coloured glasses has not been fully explored from this point
of view, the only extensive work on the subject having been done in
connection with the Jena firm of Schott, who have put upon the market
a series of coloured glasses of accurately-known absorbing power.
There is, however, little doubt that a much greater extension of this
field is possible, and that it will be opened up by a glass-maker who
undertakes the exhaustive study of coloured glasses from this point of
view, although it must be admitted that there is considerable doubt
whether the results obtainable by the aid of aniline and other dyes as
applied to gelatine can ever be equalled by coloured glasses.
CHAPTER XII.
OPTICAL GLASS.
Public-domain text, read in full here on John Shaqi.
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