Belgian essays (French) -- Translations into English; Death
But to come to the further sittings. Among other points discussed is
the financial position of the American branch of the S.P.R., a position
which, at the death of the secretary, or rather factotum, Hodgson, was
anything but brilliant. And behold the somewhat strange spectacle of
different members of the society debating its affairs with their defunct
secretary. Shall they dissolve? Shall they amalgamate? Shall they send
the materials collected, most of which are Hodgson’s, to England? They
consult the dead man; he replies, gives good advice, seems fully aware
of all the complications, all the difficulties. One day, in Hodgson’s
lifetime, when the society was found to be short of funds, an anonymous
donor had sent the sum necessary to relieve it from embarrassment.
Hodgson alive did not know who the donor was; Hodgson dead picks him out
among those present, addresses him by name and thanks him publicly. On
another occasion, Hodgson, like all the spirits, complains of the extreme
difficulty which he finds in conveying his thought through the alien
organism of the medium:
“I find now difficulties such as a blind man would experience in trying
to find his hat,” he says.
But, when, after so much idle chatter, William James at last puts the
essential questions that burn our lips—“Hodgson, what have you to tell us
about the other life?”—the dead man becomes shifty and does nothing but
seek evasions:
“It is not a vague fantasy but a reality,” he replies.
“But,” Mrs. William James insists, “do you live as we do, as men do?”
“What does she say?” asks the spirit, pretending not to understand.
“Do you live as men do?” repeats William James.
“Do you wear clothing and live in houses?” adds his wife.
“Oh yes, houses, but not clothing. No, that is absurd. Just wait a
moment, I am going to get out.”
“You will come back again?”
“Yes.”
“He has got to go out and get his breath,” remarks another spirit, named
Rector, suddenly intervening.
Public-domain text, read in full here on John Shaqi.
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