Belgian essays (French) -- Translations into English; Death
To catch a glimpse of this strange problem of the preexistence of the
future, as it shows itself to each of us, let us essay more humbly to
translate it into tangible images, to place it as it were upon the stage.
I am writing these lines sitting on a stone, in the shade of some tall
beeches that overlook a little Norman village. It is one of those lovely
summer days when the sweetness of life is almost visible in the azure
vase of earth and sky. In the distance stretches the immense, fertile
valley of the Seine, with its green meadows planted with restful trees,
between which the river flows like a long path of gladness leading to
the misty hills of the estuary. I am looking down on the village-square,
with its ring of young lime-trees. A procession leaves the church and,
amid prayers and chanting, they carry the statue of the Virgin around
the sacred pile. I am conscious of all the details of the ceremony: the
sly old curé perfunctorily bearing a small reliquary; four choirmen
opening their mouths to bawl forth vacantly the Latin words which convey
nothing to them; two mischievous serving-boys in frayed cassocks; a score
of little girls, young girls and old maids in white, all starched and
flounced, followed by six or seven village notables in baggy frockcoats.
The pageant disappears behind the trees, comes into sight again at the
bend of the road and hurries back into the church. The clock in the
steeple strikes five, as though to ring down the curtain and mark in
the infinite history of events which none will recollect the conclusion
of a spectacle which never again, until the end of the world and of the
universe of worlds, will be just what it was during those seconds when it
beguiled my wandering eyes.
For in vain will they repeat the procession next year and every year
after: never again will it be the same. Not only will several of the
actors probably have disappeared, but all those who resume their old
places in the ranks will have undergone the thousand little visible and
invisible changes wrought by the passing days and weeks. In a word, this
insignificant moment is unique, irrecoverable, inimitable, as are all
the moments in the existence of all things; and this little picture,
enduring for a few seconds suspended in boundless duration, has lapsed
into eternity, where henceforth it will remain in its entirety to the end
of time, so much so that, if a man could one day recapture in the past,
among what some one has called the “astral negatives,” the image of what
it was, he would find it intact, unchanged, ineffaceable and undeniable.
26
Public-domain text, read in full here on John Shaqi.
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