As a matter of fact, everything was as he described it. An instant later, at the exact moment foreseen by the dream, the peasant in the dark trousers and the black felt hat came up and asked him to follow him. But, instead of walking behind him, the chevalier went in front, for he already knew the way. He found the stable and, exactly at the place which it occupied two months before, near its swinging manger, the mule blocking the way to the staircase. The fencing-master went up the steps and once more saw the loft, with the ceiling hung with melons, onions and tomatoes, and, in a corner on the right, the two silent women and the child, identical with the figures in his dream, while in the next room he recognized the bed whose uncommon height had so much impressed him. It really looks as if the facts themselves, the extramundane realities, the eternal verities, or whatever we may be pleased to call them, have tried to show us here that time and space are one and the same illusion, one and the same convention and have no existence outside our little day-spanned understanding; that “everywhere” and “always” are exactly synonymous terms and reign alone as soon as we cross the narrow boundaries of the obscure consciousness in which we live. We are quite ready to admit that Cavaliere de Figueroa may have had by clairvoyance an exact and detailed vision of places which he was not to visit until later: this is a pretty frequent and almost classical phenomenon, which, as it affects the realities of space, does not astonish us beyond measure and, in any case, does not take us out of the world which our senses perceive. The field, the house, the hut, the loft do not move; and it is no miracle that they should be found in the same place. But, suddenly, quitting this domain where all is stationary, the phenomenon is transferred to time and, in those unknown places, at the foretold second, brings together all the moving actors of that little drama in two acts, of which the first was performed some two and a half months before, in the depths of some mysterious other life where it seemed to be motionlessly and irrevocably awaiting its terrestrial realization. Any explanation would but condense this vapour of petty mysteries into a few drops in the ocean of mysteries. Let us note again, in passing, the strange freakishness of these premonitions. They accumulate the most precise and circumstantial details as long as the scene remains insignificant, but come to a sudden stop before the one tragic and interesting scene of the drama: the duel and its issue. We here once more recognize the inconsistent, impotent, ironical or humorous habits of our unknown guest. 30