My very dear friend, I am going to send, what when you have read, you may scratch your head, and say I suppose, there’s nobody knows, whether what I have got, be verse or not;—by the tune and the time, it ought to be rhyme; but if it be, did ever you see, of late or of yore, such a ditty before? I have writ “Charity,” not for popularity, but as well as I could, in hopes to do good; and if the “Reviewer” should say to be sure, the gentleman’s muse wears Methodist shoes, you may know by her pace, and talk about grace, that she and her bard have little regard for the tastes and fashions, and ruling passions, and hoydening play, of the modern day; and though she assume a borrowed plume, and now and then wear a tittering air, ’tis only her plan, to catch if she can, the giddy and gay, as they go that way, by a production of a new construction; she has baited her trap, in the hope to snap all that may come, with a sugar-plum. His opinion in this will not be amiss; ’tis what I intend, my principal end; and if I succeed, and folks should read, till a few are brought to a serious thought, I shall think I am paid for all I have said, and all I have done, although I have run, many a time, after a rhyme, as far as from hence to the end of my sense, and by hook or by crook, write another book, if I live and am here another year. I have heard before of a room with a floor, laid upon springs, and suchlike things, with so much art in every part, that when you went in, you were forced to begin a minuet pace, with an air and a grace, swimming about, now in and now out, with a deal of a state, in a figure of eight, without pipe or string, or any such thing; and now I have writ, in a rhyming fit, what will make you dance, and, as you advance, will keep you still, though against your will, dancing away, alert and gay, till you come to an end of what I have penned, which that you may do, ere madam and you are quite worn out with jigging about, I take my leave, and here you receive a bow profound, down to the ground, from you humble me—W. C. EXAMPLE IN IRVING’S NEW YORK. The following remarkable instance of involuntary poetic prose occurs in Knickerbocker’s humorous history of New York, near the commencement of the Sixth Book:—