Gleanings from the Harvest-Fields of Literature: A Melange of Excerpta
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Gleanings from the Harvest-Fields of Literature: A Melange of Excerpta
Literary curiosa; Literature -- Dictionaries
The gallant warrior starts from soft repose, from golden visions and
voluptuous ease; where, in the dulcet “piping time of peace,” he sought
sweet solace after all his toils. No more in beauty’s siren lap
reclined, he weaves fair garlands for his lady’s brows; no more entwines
with flowers his shining sword, nor through the livelong summer’s day
chants forth his love-sick soul in madrigals. To manhood roused, he
spurns the amorous flute, doffs from his brawny back the robe of peace,
and clothes his pampered limbs in panoply of steel. O’er his dark brow,
where late the myrtle waved, where wanton roses breathed enervate love,
he rears the beaming casque and nodding plume; grasps the bright shield
and ponderous lance, or mounts with eager pride his fiery steed, and
burns for deeds of glorious chivalry.
In D’Israeli’s _Wondrous Tale of Alroy_, are remarkable specimens of
prose poetry. For example:—
Why am I here? are you not here? and need I urge a stronger plea? Oh,
brother dear, I pray you come and mingle in our festival! Our walls
are hung with flowers you love; I culled them by the fountain’s side;
the holy lamps are trimmed and set, and you must raise their earliest
flame. Without the gate my maidens wait to offer you a robe of state.
Then, brother dear, I pray you come and mingle in our festival.
NELLY’S FUNERAL.
In Horne’s _New Spirit of the Age_,—a series of criticisms on eminent
living authors,—we find an admirable example of prose poetry thus
noticed:—
A curious circumstance is observable in a great portion of the scenes of
tragic power, pathos, and tenderness contained in various parts of Mr.
Dickens’s works, which it is possible may have been the result of
harmonious accident, and the author not even subsequently conscious of
it. It is that they are written in blank verse, of irregular metre and
rhythms, which Southey, and Shelley, and some other poets, have
occasionally adopted. Witness the following description from _The Old
Curiosity Shop_.
And now the bell—the bell
She had so often heard by night and day
And listened to with solid pleasure,
E’en as a living voice—
Rung its remorseless toll for her,
So young, so beautiful, so good.
Public-domain text, read in full here on John Shaqi.
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