Gleanings in Europe : $b Italy, vol. 1 of 2Cooper, James Fenimore
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Gleanings in Europe : $b Italy, vol. 1 of 2
Cooper, James Fenimore
Cooper, James Fenimore, 1789-1851 -- Travel -- Italy; Italy -- Description and travel
I believe I have not spoken to you of the Comte de St. Leu. He is one
of the handsomest men of his age I have ever met with; but it is the
beauty of expression more than of features, though the latter are noble
and regular. I can scarcely recall a more winning countenance; and his
manner, though calm and dignified, is kind and unpretending. I should
think his stature materially above that of Napoleon, though he is not
of more than the middle height, and his figure is compact and square.
The Comte de Survilliers is short, inclining to fat, and, though
rather handsome, particularly as to expression, is not by any means so
striking in appearance as his brother. The Prince of Canino (Lucien)
is taller than either, thin, and has a decided Italian countenance, one
that is shrewd, quick, and animated. The Prince de Montfort (Jerome)
is short and slight, and resembles his brother Lucien more than the
others. He is said to have most of the expression of Napoleon; but I
should think, judging from the busts and likenesses, that Louis has
most of the noble outline of the Emperor. The whole family, so far as
I have known them, are certainly very intellectual and well-informed.
The Comte de St. Leu lives here in a good style; having a fine villa,
where I dined lately, and this palace in the town, which is altogether
suited to his rank and past life. He is styled “your majesty” by those
around him, as was the Countess of Survilliers; and a little, though
not much, of the etiquette of royalty is maintained in his intercourse
with others.[4]
As for the fête, it consisted of a display of boats, with a multitude
of coloured paper lanterns. The former were filled with company, and
as they floated about, with their lights and music, they made both a
singular and a pleasing exhibition. There were extremely fine fireworks
on one of the bridges, which terminated the amusements. One sees the
influences of climate in the Italian fireworks generally, which are
brilliant beyond comparison. On returning to the villa St. Illario, we
found that the dome of the cathedral was illuminated; and you may judge
of the effect produced by showing the outlines of so noble a piece
of architecture at night, by the aid of artificial and well disposed
lights. It looked like a line-engraving of fire.
Public-domain text, read in full here on John Shaqi.
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