Gleanings in Europe : $b Italy, vol. 2 of 2Cooper, James Fenimore
General
Gleanings in Europe : $b Italy, vol. 2 of 2
Cooper, James Fenimore
Cooper, James Fenimore, 1789-1851 -- Travel -- Italy; Italy -- Description and travel
After crossing several low swells of land, we come to a place of more
pastoral beauty than is common on the Campagna, in which the swales get
to be almost diminutive valleys, through one of which trickles a run of
water. Here we find another tiny brick temple, one not larger than the
Catholic Chapels that so frequently occur by the way-side, and which, at
need, might contain thirty or forty devotees. It is called the temple of
the God of Return,[6] a deity of whom you probably never heard before.
Footnote 6:
_Fanum Rediculi._
It is said that this tiny temple, which is very prettily placed, was
erected to celebrate the retreat of Hannibal from before the walls of
Rome, and some go so far as to say that his determination was made in
this precise spot; a conceit, by the way, not poetically fine, since
there is scarcely a place in the vicinity so likely to tempt one to
remain. The term _ridiculous_, which is universally applied to the
building, would imply the idea of derision, and that the temple was
erected in mockery. Allowing the history to be true, it may be
considered a very extraordinary relic; but I believe the antiquaries
ascribe it to a much later period, by the brickwork, which is a little
peculiar, or to the reign of Nero. Admitting even this, it is near
eighteen hundred years old.
Turning up the rivulet, we will ride on a knoll, about half a mile from
this _Fanum Ridiculi_, where we find the ruins of another temple, though
it is roofed and is even converted into a sort of chapel. This is
called, and perhaps justly, a temple of Bacchus. It passed a long time
for another edifice, but recent discoveries in a vault leave little
doubt that it was erected in honour of Bacchus. It was of more
pretension than either of the other small brick edifices, though very
little larger, and not of a very pure taste. It had a portico of four
columns, evidently taken from some other edifice, and which are now
built into the front wall, probably with a view to enlarge it as a
church. This building has a _staggering_ and _propped_ look, which,
while it may not be classically just, suggests the idea of drunkenness,
very eloquently.
Taking into view the beauty of the spot, the distance from the walls
(about two miles,) and the neighbourhood, which, from remote antiquity,
has been used for festivals, it is probable this temple was erected as a
sort of religious memorial of merry-makings; a union of the profane and
the sacred, that the ancients were addicted to, as well as the moderns.
It may have been a drinking pavilion of some pious debauchee, who had
the notion to sanctify his cups by the emblems, and even the services of
the altar! Why not?—men are still found committing as flagrant acts of
blasphemy, under the show of religion, every day—ay, and even every hour
of the day.
Public-domain text, read in full here on John Shaqi.
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