Gothic fiction; Ireland -- History -- Rebellion of 1798 -- Fiction; Man-woman relationships -- Fiction; Romans à clef
Transcriber’s Note:
Inconsistent hyphenation and spelling in the original document have
been preserved. Obvious typographical errors have been corrected.
The following are possible misspellings:
benshees
combated
controul
empassioned/impassioned
encrease/increase
Glenaa/Glanaa
innoxtious
Mounteagle/Monteagle
Mowbrey/Mowbray
overweaning/overweening
pretentions
Trelawny/Trelawney
Chapter IX is missing in the numbering sequence.
“beaten tract” should possibly be “beaten track”
Italic text is denoted by _underscores_.
GLENARVON.
IN THREE VOLUMES.
VOL. I.
LONDON:
PRINTED FOR HENRY COLBURN,
1816.
London: Printed by Schulze and Dean,
13, Poland Street.
Disperato dolor, che il cor mi preme
Gía pur pensando, pria che ne favelle.
CHAPTER I.
In the town of Belfont, in Ireland, lived a learned physician of the
name of Everard St. Clare. He had a brother, who, misled by a fine
but wild imagination, which raised him too far above the interests of
common life, had squandered away his small inheritance; and had long
roved through the world, rapt in poetic visions, foretelling, as he
pretended, to those who would hear him, that which futurity would more
fully develop.—Camioli was the name he had assumed.
It was many years since Sir Everard last beheld his brother, when one
night Camioli, bearing in his arms Elinor his child, about five years of
age, returned, after his long absence to his native town, and knocked
at Sir Everard’s door. The doctor was at the castle hard by, and his
lady refused admittance to the mean-looking stranger. Without informing
her of his name, Camioli departed, and resolved to seek his sister the
Abbess of Glenaa. The way to the convent was long and dreary: he climbed,
therefore, with his lovely burthen to the topmost heights of Inis Tara,
and sought temporary shelter in a cleft of the mountain known by the
name of the “Wizzard’s Glen.” Bright shone the stars that night, and
to the exalted imagination of the aged seer, it seemed in sleep, that
the spirits of departed heroes and countrymen, freed from the bonds of
mortality, were ascending in solemn grandeur before his eyes;—the song of
the Banshees, mourning for the sorrows of their country, broke upon the
silence of night;—a lambent flame distinguished the souls of heroes, and,
pointing upwards, formed a path of light before them;—the air resounded
with the quivering of wings, as with one accord innumerable spirits
arose, fanning the breeze with their extended plumes, and ascending like
a flight of birds toward the heavens.
Public-domain text, read in full here on John Shaqi.
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