Gothic fiction; Ireland -- History -- Rebellion of 1798 -- Fiction; Man-woman relationships -- Fiction; Romans à clef
As she said this, her colour rose, and she fixed her animated blue eyes
full upon Lady Margaret’s face; but vainly did she endeavour to raise
emotion there; that countenance, steady and unruffled, betrayed not even a
momentary flash of anger: her large orbs rolled securely, as she returned
the glance, with a look of proud and scornful superiority. “My little
niece,” said she, tapping her gently on the head, and taking from her
clustering locks the comb that confined them, “my little friend is grown
quite a satirist, and all who have not had, like her, every advantage
of education, are to be severely lashed, I find, for the errors they
may inadvertently have committed.” As she spoke, tears started from her
eyes. Calantha threw herself upon her bosom. “O, my dear aunt,” she said,
“my dearest aunt, forgive me, I entreat you. God knows I have faults
enough myself, and it is not for me to judge of others, whose situation
may have been very different from mine. Is it possible that I should
have caused your tears? My words must, indeed, have been very bitter;
pray forgive me.” “Calantha,” said Lady Margaret, “you are already more
than forgiven; but the tears I shed were not occasioned by your last
speech; though it is true, censure from one’s children, or those one has
ever treated as such, is more galling than from others. But, indeed, my
spirits are much shaken. I have had letters from my son, and he seems
more hurt at your conduct than I expected:—he talks of renouncing his
country and his expectations; he says that, if indeed his Calantha, who
has been the constant object of his thoughts in absence, can have already
renounced her vows and him, he will never intrude his griefs upon her,
nor ever seek to bias her inclinations: yet it is with deep and lasting
regret that he consents to tear you from his remembrance and consign
you to another.”
Calantha signed deeply at this unexpected information. To condemn any one
to the pangs of unrequited love was hard: she had already felt that it was
no light suffering; and Lady Margaret, seeing how her false and artful
representations had worked upon the best feelings of an inexperienced
heart, lost no opportunity of improving and increasing their effect.
Public-domain text, read in full here on John Shaqi.
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