Gothic fiction; Ireland -- History -- Rebellion of 1798 -- Fiction; Man-woman relationships -- Fiction; Romans à clef
Mrs. Seymour accompanied her out, whilst the rest of those whose
curiosity had been much excited in the morning, narrated their morning
adventures and enquired eagerly concerning Lord Glenarvon’s character
and mode of life. At the mention of his name, the colour rushed into
Calantha’s face. Was it himself she had seen?—She was convinced it
was. That countenance verified all that she had heard against him: it
was a full contradiction to all that Lady Trelawney had spoken in his
favour; it expressed a capability of evil—a subtlety that led the eye
of a stranger to distrust; but, with all, it was not easily forgotten.
The address to the people of Ireland which Lady Avondale had read before
with enthusiasm, she read now with a new, an undefinable sensation. She
drew also those features—that countenance; and remembered the air he had
sung and the tones of his voice.—She seemed to dive into the feelings of
a heart utterly different from what she had ever yet observed: a sort
of instinct gave her power at once to penetrate into its most secret
recesses; nor was she mistaken. She heard, with eager curiosity, every
anecdote narrated of him by the country esquires and gentry who dined
at the castle; but she felt not surprised at the inconsistencies and
absurdities repeated. Others discredited what was said: she believed the
worst; yet still the interest she felt was undiminished. It is strange:
she loved not—she admired not that countenance; yet, by day, by night,
it pursued her. She could not rest, nor write, nor read; and the fear
of again seeing it, was greater than the desire of doing so. She felt
assured that it was Lord Glenarvon:—there was not a doubt left upon her
mind respecting this circumstance. Mrs. Seymour saw that Calantha was
pre-occupied: she thought that she was acquainted with the secret which
disturbed Lady Margaret—that horrid secret which maddened and destroyed
her: for, since her adventure at the Priory, Lady Margaret had been ill.
It was not till after some days retirement, that she sent for Calantha,
and when she visited her in her own apartment, she found her silent
and trembling. “Where is your boy?” she said. “He sleeps: would you
that I should bring him you?” “I do not mean your son: I mean that
minion—that gaudy thing, you dress up for your amusement—that fawning
insect Zerbellini.” Calantha shuddered; for she knew that a mother could
not thus speak of her child without suffering acutely. “Has my pretty
Zerbellini done any thing to deserve such unkind words from you? If so,
I will chide him for it. Why do you frown? Zerbellini haste here: make
your obeisance to Lady Margaret.” The boy approached: Lady Margaret fixed
her eyes steadily upon him: the colour rushed into her cheek, then left
her pale, as the hue of death. “_Oimè si muoja!_” exclaimed, Zerbellini:
“_Eccelenza si muoja_;” and he leant forward to support her; but Lady
Margaret moved not.
Public-domain text, read in full here on John Shaqi.
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