Gothic fiction; Ireland -- History -- Rebellion of 1798 -- Fiction; Man-woman relationships -- Fiction; Romans à clef
Who had dared to enquire of that eye the meaning of its glance? or who
had trusted to the music of that soft voice, when it breathed forth
vows of tenderness and love? or who, believing in the light of life
which beamed upon that countenance, had considered the sportive jests of
fancy—the brilliant sallies of that keen wit as the overflowing testimony
of a heart at rest? None—none believed or trusted in Glenarvon.—Yet
thousands flocked around and flattered him; amidst this band of ruffians,
this lawless unprincipled gang, the recluse of Glanaa—the lovely, but
misguided Elinor was now too often seen. She was the spirit and soul
of the merry party: her wit enlivened; her presence countenanced; her
matchless beauty attracted. Scarce in her sixteenth year, the pride of
her family, the wonder and ornament of the whole country, she forsook
her solitude and hopes of heaven—she left the aunt, who had fostered
and cherished her from childhood, to become avowedly the mistress of
Glenarvon. On horse, or on foot, she accompanied him. In the attire of
a boy she unblushingly followed his steps! his former favourites were
never even named, or alluded to—his present mistress occupied all his
attention.
When St. Clara described the sufferings of her country, every heart
melted to compassion, or burned with indignation; but when her master,
when Glenarvon played upon her harp, or sung the minstrelsy of the
bards of other times, he inspired the passions which he felt, and
inflamed the imagination of his hearers to deeds of madness—to acts of
the most extravagant absurdity. Crowds followed upon his steps; yet it
was melancholy to see them pass—so fair, so young and yet so utterly
hardened and perverted. Who could behold her, and not compassionate her
fate? What was to become of her when Glenarvon had ceased to love; and
did he love?—Never: in the midst of conquests, his heart was desolate;
in the fond embrace of mutual affection, he despised the victim of his
art.
Of all the friends, flatterers and followers, he had gained by his
kindness, and lost by his caprice, not one remained to fill, in his bosom,
that craving void which he himself had made. Wherever he appeared, new
beauty attracted his worship, and yielded to his power; yet he valued
not the transient possession, even whilst smiling upon the credulous
being who had believed in his momentary affection. Even whilst soothing
her with promises and vows, which he meant not for one hour to perform,
he was seeking the means of extricating himself from her power—he was
planning his escape from the thraldom of her charms? Was he generous?
Aye, and prodigal by nature; but there was a part of his character which
ill accorded with the rest: it was a spirit of malignity if wounded,
which never rested till it had satisfied its vengeance. An enemy, he
could have pardoned and have loved; but he knew not how to bear with or
forgive a friend.
Public-domain text, read in full here on John Shaqi.
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