Gothic fiction; Ireland -- History -- Rebellion of 1798 -- Fiction; Man-woman relationships -- Fiction; Romans à clef
The duke started back:—he would have denied him his presence. It
was too late:—Glenarvon was already in the room. The cold dews stood
upon his forehead; his eye was fixed; his air was wild. “I am come
to restore your son,” he said, addressing the duke. “Are you prepared
for my visit? Has Lady Margaret obeyed my command, and confessed?” “I
thought,” said the duke, “that you had left Ireland. For your presence
at this moment, my lord, I was not prepared.” “Whom does Lady Margaret
accuse?” said Lord Glenarvon tremulously. “One whom I know not,” said
the duke—“Viviani.” Glenarvon’s countenance changed, as with a look
of exultation and malice he repeated:—“Yes, it is Viviani.” He then
briefly stated that Count Gondimar, having accompanied Lady Margaret
from Italy to Ireland in the year —— had concealed under a variety
of disguises a young Italian, by name Viviani. To him the charge
of murdering the heir of Delaval was assigned; but he disdained an
act so horrible and base. La Crusca, a wretch trained in Viviani’s
service, could answer for himself as to the means he took to deceive
the family. Lord Glenarvon knew nothing of his proceedings: he alone
knew, he said, that the real Marquis of Delaval was taken to Italy,
whence Gondimar, by order of Viviani some years afterwards, brought
him to England, presenting him to Lady Avondale as her page.
In corroboration of these facts, he was ready to appeal to Gondimar,
and some others, who knew of the transaction. Gondimar, however, Lord
Glenarvon acknowledged, was but a partial witness, having been kept
in ignorance as to the material part of this affair, and having been
informed by Lady Margaret that Zerbellini, the page, was in reality
her son. It was upon this account that, in the spring of the year,
suddenly mistrusting Viviani, Lady Margaret entreated Count Gondimar
to take the boy back with him to Italy; and not being able to succeed
in her stratagems, on account of himself (Glenarvon) being watchful
of her, she had basely worked upon the child’s feelings, making him
suppose he was serving Calantha by hiding her necklace from his (Lord
Glenarvon’s) pursuit. On which false accusation of theft, they had
got the boy sent from the castle.
Public-domain text, read in full here on John Shaqi.
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