Gothic fiction; Ireland -- History -- Rebellion of 1798 -- Fiction; Man-woman relationships -- Fiction; Romans à clef
Lord Glenarvon then briefly stated, that he had rescued him from
Gondimar’s hands, with the assistance of a servant named Macpherson,
and some of his followers; and that ever since he had kept him
concealed at the priory. “And where is he at this time?” said the
duke.—“He was with Lord Glenarvon’s cousin, Colonel de Ruthven, at
Colwood Bay.”—“And when could the duke speak with Viviani?”—“When it
was his pleasure.” “That night?”—“Yes, even on that very night.”—“What
witness could Lord Glenarvon bring, as to the truth of this account,
besides Viviani?”—“La Crusca, an Italian, from whom Macpherson had
received the child when in Italy—La Crusca the guilty instrument of
Viviani’s crimes.”—“And where was La Crusca?”—“Madness had fallen on
him after the child had been taken from him by Viviani’s orders: he
had returned in company with Macpherson to Ireland. Lord Glenarvon
had offered him an asylum at his castle. Lady Margaret one day had
beheld him; and Gondimar had even fainted upon seeing him suddenly,
having repeatedly been assured that he was dead.”—“By whom was he
informed that he was dead?”—“By Lady Margaret and Viviani.”—“Was
Gondimar then aware of this secret?”—“No; but of other secrets, in
which La Crusca and Viviani were concerned, equally horrible perhaps,
but not material now to name.”
This conversation having ended, the duke ordered his carriage, and
prepared to drive to Colwood Bay. Lord Glenarvon promised in a few
hours to meet him there, and bring with him Viviani. “If he restore my
child, and confesses every thing,” said the duke, before he left Lord
Glenarvon, “pray inform him, that I will promise him a pardon.” “He
values not such promise,” said Glenarvon scornfully. “Lady Margaret’s
life and honour are in his power. Viviani can confer favours, but
not receive them.” The duke started, and looked full in the face of
Glenarvon. “Who is this Viviani?” he said, in a tone of voice loud
and terrible. “An idol,” replied Glenarvon, “whom the multitude have
set up for themselves, and worshipped, forsaking their true faith,
to follow after a false light—a man who is in love with crime and
baseness—one, of whom it has been said, that he hath an imagination
of fire playing around a heart of ice—one whom the never-dying worm
feeds on by night and day—a hypocrite,” continued Glenarvon, with a
smile of bitterness, “who wears a mask to his friends, and defeats
his enemies by his unexpected sincerity—a coward, with more of bravery
than some who fear nothing; for, even in his utmost terror, he defies
that which he fears.” “And where is this wretch?” said the duke: “what
dungeon is black enough to hold him? What rack has been prepared to
punish him for his crimes?” “He is as I have said,” replied Glenarvon
triumphantly, “the idol of the fair, and the great. Is it virtue
that women prize? Is it honour and renown they worship? Throw but
the dazzling light of genius upon baseness, and corruption, and every
Public-domain text, read in full here on John Shaqi.
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