Gothic fiction; Ireland -- History -- Rebellion of 1798 -- Fiction; Man-woman relationships -- Fiction; Romans à clef
They were some little distance from the chapel, when the duke paused
in horror.—The moonlight shone upon the bank, at the entrance of the
beech trees; and he there beheld the figure of a female as she lay
extended upon the ground, covered with blood. Her own rash hand,
he thought, had perhaps destroyed her. He approached,—it was Lady
Margaret! That proud spirit, which had so long supported itself, had
burst its fetters. He gazed on her in surprise.—He stood a few moments
in silence, as if it were some tragic representation he were called
to look upon, in which he himself bore no part—some scene of horror,
to which he had not been previously worked up, and which consequently
had not power to affect him. Her face was scarce paler than usual;
but there was a look of horror in her countenance, which disturbed
its natural expression. In one hand, she had grasped the turf, as if
the agony she had endured had caused a convulsive motion; the other
was stained with blood, which had flowed with much violence. It was
strange that the wound was between her right shoulder and her throat,
and not immediately perceivable, as she had fallen back upon it:—it
was more than strange, for it admitted little doubt that the blow
had not been inflicted by herself. Yet, if inhumanly murdered, where
was he who had dared the deed? The duke knelt beside her:—he called
to her; but all mortal aid was ineffectual.
The moon-beam played amidst the foliage of the trees, and lighted
the plains around:—no trace of the assassin could be observed:—the
loneliness of the scene was uninterrupted. A dark shadow now became
visible upon the smooth surface of the green—was it the reflection of
the tree—or was it a human form? It lengthened—it advanced from the
thicket. The shapeless form advanced; and the heart of man sunk before
its approach; for there is none who has looked upon the murderer of
his kind without a feeling of alarm beyond that which fear creates.
That black shapeless mass—that guilty trembling being, who, starting
at his own shadow, slowly crept forward, then paused to listen—then
advanced with haste, and paused again,—now, standing upon the plain
between the beech wood and the chapel, appeared like one dark solitary
spot in the lonely scene.
Public-domain text, read in full here on John Shaqi.
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