Gothic fiction; Ireland -- History -- Rebellion of 1798 -- Fiction; Man-woman relationships -- Fiction; Romans à clef
The duke had concealed himself; but the indignant spirit within
prompted him to follow the figure, indifferent to the fate that might
await on his temerity. Much he thought that he knew him by his air and
Italian cloak; but as his disguise had entirely shrouded his features,
he could alone indulge his suspicions; and it was his interest to
watch him unperceived. He, therefore, made sign to his attendants
to conceal themselves in the wood; and alone, accompanied by Colonel
De Ruthven, he followed towards the chapel. There the figure paused,
and seemed to breathe with difficulty, slowly turning around to gaze
if all were safe:—then, throwing his dark mantle back, shewed to
the face of Heaven the grim and sallow visage of despair—the glazed
sunken eye of guilt—the bent cowering form of fear.—“Zerbellini,” he
cried, “Zerbellini, come down.—Think me not your enemy—I am your real
friend, your preserver.—Come down, my child. With all but a brother’s
tenderness, I wait for you.”
Arouzed by this signal, a window was opened from an apartment adjoining
the cloister; and a boy, lovely in youth, mournfully answered the
summons. “O! my kind protector!” he said, “I thought you had resolved
to leave me to perish here. If, indeed, I am all you tell me—if you do
not a second time deceive me, will you act by me as you ought? Will
you restore me to my father?” The voice, though soft and melodious,
sounded so tremulously sad, that it immediately awakened the deepest
compassion, the strongest interest in the duke. He eagerly advanced
forward. Colonel De Ruthven entreated him to remain a few moments
longer concealed. He wished to know Viviani’s intention; and they
were near enough to seize him at any time, if he attempted to escape.
They were concealed behind the projecting arch of the chapel; and
whilst they beheld the scene, it was scarce possible that the Italian
should so turn himself as to discover them. By the strong light of
the moon, which stood all glorious and cloudless in the Heavens, and
shone upon the agitated waves of the sea, the duke, though he could
not yet see the face of the Italian, whose back was turned, beheld
the features of Zerbellini—that countenance which had often excited
a strange emotion in his bosom, and which now appealed forcibly to
his heart, as claiming an alliance with him. Let then the ecstasy
of his feelings be imagined, whilst still dubious, still involved
in uncertainty and surprise. Viviani, having clasped the boy to his
bosom, said in an impassioned voice these words:—“Much injured child,
thou loveliest blossom, early nipped in the very spring-time of thy
life, pardon thy murderer. Thou art the heir and lord of all that the
pride of man can devise; yet victim to the ambition of a false and
cruel woman, thou hast experienced the chastening rod of adversity,
and art now prepared for the fate that awaits thee.
Public-domain text, read in full here on John Shaqi.
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