Glimpses of America: A Pictorial and Descriptive History of Our Country's Scenic MarvelsBuel, James W. (James William)
History
Glimpses of America: A Pictorial and Descriptive History of Our Country's Scenic Marvels
Buel, James W. (James William)
United States -- Pictorial works
The old legends tell us of the Sabbat, a nocturnal assembly at which
demons and sorcerers celebrated their revels, and to the imaginative
mind, stored with remembrances of the tales wherein are described the
riot of nameless things and loathsomely fearful personages around the
throne of Satan, it is easy to fancy this spot as the assembling place,
and the strange forms of stone, that sit like dumb monstrosities waiting
the call of a master, as the bodies of maleficent devils petrified in
the very midst of their orgies. There on that mound squats old
Sagittary, the man-beast who shot arrows of lightning from his bow,
until he was struck down by a bolt of his own forging. A little beyond
is the foul witch Sycorax, the dam of Caliban, whose raven wings shelter
a demoniac progeny. In that depression, which looks afar like a seething
quagmire, sits Abaddon, the promoter of wars, combustions and plagues,
his face awry with fretful anxiety to renew his course of destruction.
Behind a mound, that may well be called a breastwork, stand Ægæon,
Cottus and Gyges, the brother triplets, each with a hundred arms and
fifty heads, who made war upon the Titans and then stormed Olympus with
stones plucked from the core of Ætna. Still further up the hillside,
protruding from a gash in the side of a giant bowlder of red sandstone,
is the distorted face of Hagen, that demon dwarf of a single eye, whose
devilish claws tore out the heart of Siegfried. Everywhere, to the right
and left, are these garish and ghastly remembrancers of the tales that
make children crouch closer to grandmother’s knees, and people the
darkness with forms infuriate. But the comical side is not wanting; for
nature is protean in this godless garden of quaint conceits done in
stone. If we have cause to laugh, it is at the Brobdingnagian frog that
we see to the left of the door of the garden, sitting beneath a
mushroom, with his gaze towards the mountain. But there is a whole
settlement of giant fungi, each capable of giving shelter to a pond-full
of modern-day frogs; and we can only explain the absence of other
representatives of the croaking batrachia by the possibility that the
one who has his home under the petrified umbrella was a political boss
in his time and compelled all his followers to remain out in the rain
when the big wet spell set in. On the first rock that we pass as we
enter the garden, is the perfect outline of a stag’s head, with antlers
laid back and nose high, as if startled by the sudden baying of the
hounds; while a few yards within the entrance is a huge stone of two
hundred tons weight perched like a spinning top upon the shoulder of
another, so nicely balanced that every wind seems to threaten its
stability, and yet centuries have failed to disturb its equilibrium.
Still further on, and to the left, are to be seen a duck complete in all
its outlines, and as demure as though she was hatching a brood. Then in
Public-domain text, read in full here on John Shaqi.
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