Glimpses of America: A Pictorial and Descriptive History of Our Country's Scenic MarvelsBuel, James W. (James William)
History
Glimpses of America: A Pictorial and Descriptive History of Our Country's Scenic Marvels
Buel, James W. (James William)
United States -- Pictorial works
As we advance further into this museum of wonders, and turn our eyes
away from the imps, reptiles and broad-smiling people of stone, our gaze
is arrested by still stranger freaks of nature. There, before us, in
awful sublimity, is the red sentinel who guards the north portals of the
garden, flanked on either side by cathedrals and fortresses of amazing
size, and aflame with brilliant coloring. There are thin slabs of
sandstone standing on edge and lifting their heads a hundred feet high,
on which the gods or witches have sculptured images of birds, animals,
and moving caravans. A herculean lion is crouching on the peak of one,
looking towards the north, where a bear and seal are eyeing each other
from a lofty perch, uncertain of their safety, and undetermined whether
to attack or retreat. Away up on the pinnacle of another peak sits a
little old man in a rusty coat, but semi-respectable in a plug hat, very
intently contemplating a coach-and-four driven by a pioneer stage
engineer muffled to the chin in a shag overcoat, and bowling along over
the dangerous comb of the Tower of Babel. Turning to look back, our
sight is arrested by the towering form of Pike’s Peak, and a view that
is incomparably and overwhelmingly grand.
Leaving the Garden of the Gods, and passing massive hills of gypsum,
virgin in their whiteness and soft velvety reflection, the roadway north
lies through a large prairie-dog village, where scores of wish-ton-
wishes, of Indian name, scamper through the grass and lift themselves
into comical postures on their little mounds to watch the carriage roll
by. To the left is Glen Eyrie, where a few disaffected gods seem to have
started a small, independent park of wonders, chief of which is Major
Domo, a monolith of red sandstone thirty feet in circumference and more
than one hundred feet tall; a frowning shaft with slightly inclined
head, as if threatening the lesser forms about its base.
Five miles still beyond, nature has opened another museum of surprises,
which some human invader has named Monument Park, but which might better
be called Fiddler’s Green, or the Devil’s Ante-Chamber, for tradition
tells us that the former place is located just five miles this side of
Hades, and that all fiddlers en route stop there twenty minutes for
refreshments. This assembling place of monstrosities; this parliament of
satyr, sibyl, succuba and grim-visaged ogres, is rarely visited, not
particularly because the sights superinduce nightmare, but probably
because it is at the end of a long and dusty way, and the gruesome
formations are not numerous. The views which delight those who love to
fellowship with the incongruous and distempered products of nature, are
pillars of white—almost calcareous—sandstone which the wind and sand
have eroded into fantastic and outre shapes, leaving a top layer of dark
limestone to complete the multitude of strange images.
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[Illustration:
Public-domain text, read in full here on John Shaqi.
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