Glimpses of America: A Pictorial and Descriptive History of Our Country's Scenic MarvelsBuel, James W. (James William)
History
Glimpses of America: A Pictorial and Descriptive History of Our Country's Scenic Marvels
Buel, James W. (James William)
United States -- Pictorial works
Grand, glorious, sublime, are the pictorial cliffs of vermilion hue; yet
a more magnificent spectacle is presented by an unfolding of the
panorama that stretches southward, revealing as it does the heavenly
crowned and resplendently painted temples and towers of the Virgin. Here
the slopes, the serpentine ledges, and the bosses of projecting rock,
interlarded with scanty soil, display all the colors of the rainbow, and
in the distance may be likened to the painter’s palette. The bolder
tints are of maroon, purple, chocolate, magenta and lavender, with broad
bands of white laid in horizontal belts. The cañon proper is 7,000 feet
deep here, but less than two miles beyond it stands the central and
commanding object of this sublime painting, the glorious western temple
that looms up 4,000 feet above the rapid river. This, however, is only
the foreground of a matchless panorama, for right opposite are a mighty
throng of structures wrought in the same exalted style, separated by two
principal forks of the Virgin, known as the Parunuweap and the
Mukuntuweap, or Little Zion Valley. At one point the two side cañons
swing around and form a junction, where the walls break into giant
pediments covered with the most remarkable and picturesque carvings. The
sumptuous, bewildering and mazy effects are boldly discernible; but
detail is lost when attempt is made to analyze it. The flank of the wall
receding up the Mukuntuweap is similarly sculptured and decorated for
two miles, and then changes into new kaleidoscopic forms still more
wonderful and impressive. A row of towers half a mile high is sculptured
out of the palisade, and stands in relief before its face. There is an
eloquence in their forms which stirs the imagination with a singular
power, and kindles in even the dullest mind a glowing response. Just
behind them, and rising a thousand feet higher, is the eastern temple,
crowned with a cylindric dome of white sandstone. Directly in front is a
complex group of white towers, springing from a central pile and
mounting to the clouds. The highest peak in this cumulus mass is almost
pure white, with brilliant streaks of carmine descending its vertical
walls, while the truncated summit is a deep red.
Nothing can exceed the wondrous beauty of Little Zion Valley, which
separates the two temples and their respective groups of towers. In its
proportions it is probably equal to Yosemite, but it very far exceeds
that natural wonder in the nobility and beauty of sculpturing. We are
not surprised that a Mormon zealot gave to this cañon the name of Little
Zion, since the scenery is so imposing as to immediately and powerfully
suggest those “houses not built with hands.”
Far to the westward is to be seen the last palisade, lifting its
imposing front behind an army of towers and domes to an altitude of more
than 3,000 feet. Beyond it the view changes quickly, for it passes at
once into the Great Basin, which to this region is another world.
Public-domain text, read in full here on John Shaqi.
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