The magistrate's reply is brought back; his tent is in an awful state and
he is coming at once. Hurry up! Hurry up! Presently comes the shout: "The
sahib has arrived." All in a flurry I brush the dust off hair, beard, and
the rest of myself, and as I go to receive him in the drawing-room, I try
to look as respectable as if I had been reposing there comfortably all the
afternoon.
I went through the shaking of hands and conversed with the magistrate
outwardly serene; still, misgivings about his accommodation would now and
then well up within. When at length I had to show my guest to his room, I
found it passable, and if the homeless cockroaches do not tickle the soles
of his feet, he may manage to get a night's rest.
KALIGRAM, 1891.
I am feeling listlessly comfortable and delightfully irresponsible.
This is the prevailing mood all round here. There is a river but it has no
current to speak of, and, lying snugly tucked up in its coverlet of
floating weeds, seems to think--"Since it is possible to get on without
getting along, why should I bestir myself to stir?" So the sedge which
lines the banks knows hardly any disturbance until the fishermen come with
their nets.
Four or five large-sized boats are moored near by, alongside each other.
On the upper deck of one the boatman is fast asleep, rolled up in a sheet
from head to foot. On another, the boatman--also basking in the
sun--leisurely twists some yarn into rope. On the lower deck in a third,
an oldish-looking, bare-bodied fellow is leaning over an oar, staring
vacantly at our boat.
Along the bank there are various other people, but why they come or go,
with the slowest of idle steps, or remain seated on their haunches
embracing their knees, or keep on gazing at nothing in particular, no one
can guess.
The only signs of activity are to be seen amongst the ducks, who, quacking
clamorously, thrust their heads under and bob up again to shake off the
water with equal energy, as if they repeatedly tried to explore the
mysteries below the surface, and every time, shaking their heads, had to
report, "Nothing there! Nothing there!"
The days here drowse all their twelve hours in the sun, and silently sleep
away the other twelve, wrapped in the mantle of darkness. The only thing
you want to do in a place like this is to gaze and gaze on the landscape,
swinging your fancies to and fro, alternately humming a tune and nodding
dreamily, as the mother on a winter's noonday, her back to the sun, rocks
and croons her baby to sleep.
KALIGRAM, 1891.
Public-domain text, read in full here on John Shaqi.
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