There are not many boats in this little river; only a few dinghies, laden
with dry branches and twigs, are moving leisurely along to the tired
plash! plash! of their oars. At the river's edge the fishermen's nets are
hung out to dry between bamboo poles. And work everywhere seems to be over
for the day.
CHUHALI.
_June_ 1891.
I had been sitting out on the deck for more than a quarter of an hour when
heavy clouds rose in the west. They came up, black, tumbled, and tattered,
with streaks of lurid light showing through here and there. The little
boats scurried off into the smaller arm of the river and clung with their
anchors safely to its banks. The reapers took up the cut sheaves on their
heads and hied homewards; the cows followed, and behind them frisked the
calves waving their tails.
Then came an angry roar. Torn-off scraps of cloud hurried up from the
west, like panting messengers of evil tidings. Finally, lightning and
thunder, rain and storm, came on altogether and executed a mad dervish
dance. The bamboo clumps seemed to howl as the raging wind swept the
ground with them, now to the east, now to the west. Over all, the storm
droned like a giant snake-charmer's pipe, and to its rhythm swayed
hundreds and thousands of crested waves, like so many hooded snakes. The
thunder was incessant, as though a whole world was being pounded to pieces
away there behind the clouds.
With my chin resting on the ledge of an open window facing away from the
wind, I allowed my thoughts to take part in this terrible revelry; they
leapt into the open like a pack of schoolboys suddenly set free. When,
however, I got a thorough drenching from the spray of the rain, I had to
shut up the window and my poetising, and retire quietly into the darkness
inside, like a caged bird.
SHAZADPUR.
_June_ 1891.
From the bank to which the boat is tied a kind of scent rises out of the
grass, and the heat of the ground, given off in gasps, actually touches my
body. I feel that the warm, living Earth is breathing upon me, and that
she, also, must feel my breath.
The young shoots of rice are waving in the breeze, and the ducks are in
turn thrusting their heads beneath the water and preening their feathers.
There is no sound save the faint, mournful creaking of the gangway against
the boat, as she imperceptibly swings to and fro in the current.
Not far off there is a ferry. A motley crowd has assembled under the
banyan tree awaiting the boat's return; and as soon as it arrives, they
eagerly scramble in. I enjoy watching this for hours together. It is
market-day in the village on the other bank; that is why the ferry is so
busy. Some carry bundles of hay, some baskets, some sacks; some are going
to the market, others coming from it. Thus, in this silent noonday, the
stream of human activity slowly flows across the river between two
villages.
Public-domain text, read in full here on John Shaqi.
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