Glimpses of the dark ages : $b or, Sketches of the social condition of Europe, from the fifth to the twelfth century — John Shaqi
Glimpses of the dark ages : $b or, Sketches of the social condition of Europe, from the fifth to the twelfth centuryAnonymous
History
Glimpses of the dark ages : $b or, Sketches of the social condition of Europe, from the fifth to the twelfth century
Anonymous
Civilization, Medieval
There were also persons in the middle ages who in the same spirit
adopted parts of pagan mythologies, and moulded fancies of their own
according to the prevailing forms of popular superstition. Not only
do we find the Italians borrowing their patron saints from the _dii
presides_ and the _dii patrones_ of their pagan fathers, and,
sometimes, transforming the statue of a heathen god into the image of
a Christian saint, but we also find people, in other parts of
Christendom, accommodating to their own use certain fables current
among the barbaric nations. The Scandinavian mythology gives great
prominence to the exploits of Odin: sometimes he is called Nikar, and
appears as a destroying spirit raising storms on the Scandinavian
lakes and rivers, and teasing the fishermen, by hanging up their
boats on the summits of the fir-trees. This fabled deity appears in
the hagiology of the middle ages under the name of St. Nicholas, the
patron of sailors, supposed to have power over the storm and tempest.
Mementoes of this superstition still remain in churches situate near
the sea, and dedicated to this saint of the ocean, whom many a seaman
still invokes, as he catches a glimpse of the distant church rising
above the shore. Beside instances in which mythological fables were
thus adopted, and, if we may use the term, thus Christianized, there
are proofs of the spirit of pagan superstition having moulded the
conceptions formed of invisible beings by the ecclesiastical teachers
of the dark ages. Satan is commonly represented by them under forms
which they could have borrowed only from such a source. The monster
with horns and tail was evidently the creation of the fancy under the
influence of legendary superstitions. One cannot help smiling at the
grotesque scenes painted by the saints, in which the Spirit of Evil
is introduced as the chief actor. He is said to have teased St.
Gudula by blowing out her candle, on her way to church, at the hour
of cock-crowing; but this story is surpassed by another related
respecting the arch-enemy and St. Britius. "Once, whilst St. Martin
was saying mass, St. Britius, whose name hath retained a place in the
Protestant calendar, officiated as deacon, and behind the altar he
espied the devil busily employed in writing down on a slip of
parchment, as long as a proctor's bill, all the sins which the
congregation were actually committing. Now St. Martin's congregation
was anything but serious; they buzzed and giggled, and the men looked
upwards, and the women did not look down, and were guilty of so many
transgressions, that the devil soon filled one side of his parchment
with short-hand notes from top to bottom, and was forced to turn it.
This side was also soon covered with writing. The devil was now in
sad perplexity; he could not stomach losing a sin, he could not trust
his memory, and he had no more parchment about him. He therefore
clenched one end of the scroll with his claws and took the other
Public-domain text, read in full here on John Shaqi.
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