Glinda of Oz: In Which Are Related the Exciting Experiences of Princess Ozma of Oz, and Dorothy, in Their Hazardous Journey to the Home of the Flatheads, and to the Magic Isle of the Skeezers, and How They Were Rescued from Dire Peril by the Sorcery of Glinda the Good — John Shaqi
Glinda of Oz: In Which Are Related the Exciting Experiences of Princess Ozma of Oz, and Dorothy, in Their Hazardous Journey to the Home of the Flatheads, and to the Magic Isle of the Skeezers, and How They Were Rescued from Dire Peril by the Sorcery of Glinda the GoodBaum, L. Frank (Lyman Frank)
Science
Glinda of Oz: In Which Are Related the Exciting Experiences of Princess Ozma of Oz, and Dorothy, in Their Hazardous Journey to the Home of the Flatheads, and to the Magic Isle of the Skeezers, and How They Were Rescued from Dire Peril by the Sorcery of Glinda the Good
Baum, L. Frank (Lyman Frank)
Adventure and adventurers -- Juvenile fiction; Animals, Mythical -- Juvenile fiction; Courage -- Juvenile fiction; Fantasy literature; Gale, Dorothy (Fictitious character) -- Juvenile fiction; Good and evil -- Juvenile fiction; Magic -- Juvenile fiction; Oz (Imaginary place) -- Juvenile fiction; Tri
"That is true," answered Ozma; "yet it is a clever arrangement to
prevent their being surprised by intruders. Every time we reach the
tenth step of a flight, the pressure of our feet on the stone makes a
bell ring on top of the mountain, to warn the Flatheads of our
coming."
"How do you know that?" demanded Dorothy, astonished.
"I've heard the bell ever since we started," Ozma told her. "You could
not hear it, I know, but when I am holding my wand in my hand I can
hear sounds a great distance off."
"Do you hear anything on top of the mountain 'cept the bell?" inquired
Dorothy.
"Yes. The people are calling to one another in alarm and many
footsteps are approaching the place where we will reach the flat top
of the mountain."
This made Dorothy feel somewhat anxious.
"I'd thought we were going to visit just common, ordinary people,"
she remarked, "but they're pretty clever, it seems, and they know some
kinds of magic, too. They may be dangerous, Ozma. P'raps we'd better
stayed at home."
Finally the upstairs-and-downstairs passage seemed coming to an end,
for daylight again appeared ahead of the two girls and Ozma replaced
her wand in the bosom of her gown. The last ten steps brought them to
the surface, where they found themselves surrounded by such a throng
of queer people that for a time they halted, speechless, and stared
into the faces that confronted them.
Dorothy knew at once why these mountain people were called Flatheads.
Their heads were really flat on top, as if they had been cut off just
above the eyes and ears. Also the heads were bald, with no hair on top
at all, and the ears were big and stuck straight out, and the noses
were small and stubby, while the mouths of the Flatheads were well
shaped and not unusual. Their eyes were perhaps their best feature,
being large and bright and a deep violet in color.
The costumes of the Flatheads were all made of metals dug from their
mountain. Small gold, silver, tin and iron discs, about the size of
pennies, and very thin, were cleverly wired together and made to form
knee trousers and jackets for the men and skirts and waists for the
women. The colored metals were skillfully mixed to form stripes and
checks of various sorts, so that the costumes were quite gorgeous and
reminded Dorothy of pictures she had seen of Knights of old clothed in
armor.
Aside from their flat heads, these people were not really bad looking.
The men were armed with bows and arrows and had small axes of steel
stuck in their metal belts. They wore no hats nor ornaments.
CHAPTER 6
Flathead Mountain
When they saw that the intruders on their mountain were only two
little girls, the Flatheads grunted with satisfaction and drew back,
permitting them to see what the mountain top looked like. It was
shaped like a saucer, so that the houses and other buildings--all made
of rocks--could not be seen over the edge by anyone standing in the
plain below.
Public-domain text, read in full here on John Shaqi.
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