Americans -- Europe -- Fiction; Imaginary places -- Europe -- Fiction; Princesses -- Fiction; Revolutions -- Fiction
And of a truth the air was an intoxicating one. There was gunpowder
in it, musketry and cold steel, reckless charges and stern movements
of advance. One caught the thunder of hoofs and the blare of bugles.
Its infection became imperious, maddening even,--for the audience
forgot their pipes and their _tigerbräu_, and beat time to the
insistent rhythm, till the chorus gave them a chance of imparting
their enthusiasm to the roaring refrain. The girl herself seemed the
embodiment of martial ardour. She trod the stage like a little
war-horse, her eye sought the gallery and struck fire from the
beer-loving _bourgeoisie_. For a second her gaze seemed to fall upon
Saunders mockingly, and with an air of challenge. Then she glanced
round the crowded house, held it spellbound, lifted it up, carried it
to high regions of carnage, self-sacrifice, and glory. The audience
roared, clapped, screamed with exuberant acclaim. Their state was
_frénétique_--no other word, French, English, or German, well
describes it.
"By George, she's a witch!" said Trafford. "She's as dangerous as a
time fuse. I'll be hanged if I don't want to fight someone!"
The encore verse was more pointed, more sinister, less general in its
application. It spoke of wrongs to be righted, tyranny to be
overcome, freedom to be gained. It hinted of an uplifting of the
proletariat, of armed citizens and frenzied women, of tumult in
square and street; it breathed of barricades and civic strife, the
vast upheaval of a discontented people determined to assert their
rights. Men looked at each other and stirred uneasily in their
seats, and then glanced round in apprehension,--as if expecting the
entrance of the police. The song was a veritable "Marseillaise," a
trumpet call to revolution, a match in a barrel of gunpowder; and
with the final chorus and the stirring swing of the refrain, all
remnants of prudence and restraint were cast to the winds. The house
rose _en masse_; men mounted their seats and waved sticks and
umbrellas aloft; a party of young officers drew their swords and
brandished them with wild insurgent cries. Forbidden names were
spoken, cheers were raised for popular outlaws and suspects, groans
for unpopular bureaucrats and the King's favourites. It was an
intoxicating moment,--whatever one's sympathies might be,--and it was
obvious enough that the temper of the people was frankly
revolutionary, and that the authorities would be quite
justified,--from their point of view,--in arresting the audience and
the management _en bloc_.
"We'd better clear out," suggested Saunders; "there's going to be
trouble."
"If there's a row," announced Trafford grimly, "I'm going to be in
it. You've seen stirring times over here before, but I'm a novice at
it, and I want blooding. Shall we raise three cheers for Karl and
fight our way out?"
Public-domain text, read in full here on John Shaqi.
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