Gloriana; or, the revolution of 1900Dixie, Florence, Lady
General
Gloriana; or, the revolution of 1900
Dixie, Florence, Lady
Speculative fiction; Utopias -- Fiction; Women's rights -- Fiction
What is it that throws its shadow across the glade in the wake of Evie
Ravensdale and Gloria de Lara? As the two saunter slowly along the
forest’s green pathway, the figure of a man suddenly presents itself at
the entrance to the glade, and stands motionless gazing after the
retreating pair. Only for a moment though, as with a low laugh he turns
quickly in the direction of “The Hut.” His movements are peculiar. He
does not walk openly up to the cottage, but, concealing himself behind
the rhododendron bushes which surround it in thick luxuriance, he
stealthily and silently gains the porch, outside of which Gloria de Lara
was sitting on the arrival of Evie Ravensdale.
Passing noiselessly along the verandah which runs round “The Hut,” the
man suddenly comes to a halt outside a half-opened window, and peers in.
A logwood fire burns cheerily on the hearth, but there are no lamps as
yet in the room, and this is the only light that irradiates it. It is
sufficient, however, to enable him to make out the form of a woman
seated by the fire. Her elbows are resting on her knees, and her head is
bent in her hands, and through the half-opened fingers she is gazing
into the glowing blaze. A single ring flashes on the third finger of her
left hand; one ring only, but no more. The man’s eyes dilate with
passion and fury as they watch her. The expression is that of a wild
beast gloating upon its prey. This man, too, has a smile of triumph upon
his coarse, sensual lips, mingled with malignity and hate.
A quick shudder runs through Speranza de Lara—for this lonely woman is
no other than she—as with a sudden impulse she raises her head and looks
towards the window with a scared and startled expression. The man draws
quickly back from his post of observation, and passing rapidly along the
verandah disappears amidst the thick bushes already mentioned. Too late,
however, to conceal his features from the gaze of the woman, who, alas!
knows them too well. With a cry of horror she springs forward, and
pushing open the window makes her way out on to the verandah. Two
minutes later, and the tongue of a little tower bell rings out
half-a-dozen sharp, warning notes. Evie Ravensdale and Gloria de Lara
know full well their meaning. Their sound heralds the word “danger,” and
brings them sharply to attention. When, a few minutes later, they reach
“The Hut,” they find Speranza anxiously awaiting them.
“Evie and Gloria,” she says in a quiet, self-possessed voice, in which
all trace of excitement is absent, “this is no longer a safe place for
either of you. It must be quitted at once. I have just seen him.”
“Him! Who, mother dearest?” inquires Gloria anxiously.
“The worst enemy I have ever known, and therefore yours too,” my
darling, answers Speranza, with a shudder. “Ever right, my child, were
you when you said he was not dead, for I have just looked on the face of
Lord Westray.”
As she speaks the distant sound of a galloping horse strikes upon their
ears.
Public-domain text, read in full here on John Shaqi.
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