Gloriana; or, the revolution of 1900Dixie, Florence, Lady
General
Gloriana; or, the revolution of 1900
Dixie, Florence, Lady
Speculative fiction; Utopias -- Fiction; Women's rights -- Fiction
“Evie,” says Gloria coolly, a quiet smile lighting up her face, “will
you see to the horses being saddled at once?”
[Illustration]
CHAPTER IX.
The roar of London’s traffic has died away, for a few brief hours, peace
has spread her mystic wings o’er the city of wealth and poverty,
pleasure and suffering, joy and pain, virtue and crime. In the sumptuous
dwellings of the wealthy, the gentry stretch their pampered bodies on
the soft couch of ease and warmth, imitated to a nicety by their
dependents. In the dwellings of the middle class, comfort if not
absolute sumptuousness is displayed and enjoyed. In the dwellings of the
working class, overcrowding and limited space is the chief
characteristic, while in the dwellings of the helpless, homeless, and
foodless, the vault of heaven is their canopy, the cold flag-stones
their couch of rest.
Yet above these scenes, so diversified and strange, peace for a few
brief hours has spread her wings. The tramp of the tired horse is
silent, the patter of millions of feet is still. Even the wandering,
homeless, hungry cur is curled up in some byway fast asleep, dreaming,
no doubt, of the rich steaks of meat upon which his poor famished eyes
had been fixed this afternoon, when the cruel butcher drove him so
mercilessly away.
But there is a faint glimmer of light stealing through the fast-closed
shutters of Mr. Trackem’s private room, in Verdegrease Crescent, and if,
like the fairy of old, we obtain ingress therein in some mysterious
manner, we shall find that worthy seated in a comfortable armchair, with
his head thrown back against a soft cushion, his legs crossed, his
elbows firmly planted on the chair’s arms, and his hands lightly joined
together. A warm fire glows in front of him, and the smile on his face
betokens a thorough satisfaction with things in general, and especially
with himself.
On the opposite side of the hearthrug is another armchair, likewise
occupied, but by a man apparently in by no means so placid and contented
a frame of mind as Mr. Trackem. He wears a rough coat and waistcoat of
Cheviot wool, and his cord riding breeches and black top-boots are
covered with mud and mire. There is blood on his spurs too, which
betokens a hard usage of the poor beast that has lately carried him. On
the floor lies a brown slouch hat and riding-whip, while by their side
is a soft satin cushion, similar to the one against which Mr. Trackem’s
head is reclining, and which his visitor has disdainfully tossed on one
side.
The manner of this man is excited, and he is leaning forward, and
speaking fast and rapidly. He is a handsome man, but has not a nice
face, and grey hairs are beginning to mingle in his thick beard,
whiskers, and moustache, as well as amidst the once raven locks of his
hair. He has thick sensual lips, two rows of fine white teeth, and a
restless, roving expression in his dark eyes.
Public-domain text, read in full here on John Shaqi.
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