Gloriana; or, the revolution of 1900Dixie, Florence, Lady
General
Gloriana; or, the revolution of 1900
Dixie, Florence, Lady
Speculative fiction; Utopias -- Fiction; Women's rights -- Fiction
“Mother,” he exclaims, “has he been here to insult you? Ah, mother! God
only knows the strain I put upon myself, or I would have shot him down
where he stood, the brute, the fiend! I nearly lost control of myself,
but I heard your last words, and understood what you were striving to
hide from him. Thank God I did, or in a hasty moment I might have laid
bare our secret.”
“And I, too, say thank God, Gloria. At one moment I fancied he was in
possession of it, but I quickly found out that he was on another tack.
Horrible as the idea was, it was better to let him foster it, than to
give him a chance of learning the truth. Ah, Gloria dearest! if once the
secret is in his hands, we need look for no mercy in that quarter.”
“I know it, mother,” answers Gloria, in other words Hector D’Estrange;
for the reader must have had no difficulty in recognising in this
latter, the beautiful girl who had made her vow to the wild sea waves,
ten years previously on the sunny shores of the Adriatic, and who now,
as Hector D’Estrange, is working out the accomplishment of that vow.
And she has worked well has Gloria de Lara, patiently and perseveringly,
never losing an opportunity, never casting a chance aside. Her beauty
and her genius have gone straight to the hearts of men, and she uses
these gifts given her by God, not for vain glory and fleeting
popularity, but in pursuit of justice and in furtherance of the one
great aim of her life.
“Let us change the subject, my darling,” exclaims Speranza, with a
shudder; “let us drive from our minds the thought of one so horrible and
contemptible. Tell me, my precious child,” she continues, laying her
hand on Gloria’s shoulder, and kissing her gently on the forehead, “how
have you got on with the clubs to-day?”
“Excellently, mother. I came to tell you all about them, or I should not
have been here until to-morrow,” answers Gloria, as she seats herself on
a low stool at her mother’s feet.
It is the middle of May, the sun is shining brightly, and the sparrows
are hopping and chirping merrily about in the square outside. The early
green on the trees is as yet unclouded by the dust of London’s busy
season, and all is fair, and soft, and young to look upon.
The large fortune and noble estates left to Speranza de Lara by young
Harry Kintore have been well and wisely wielded by the woman, in whose
heart the memory of her darling still shines as brightly as on the day
he died. She has never misspent a farthing of the vast wealth that he
confided to her care. It has been used in carrying out philanthropic
works, alleviating suffering, and helping on the accomplishment of their
child’s design, his child and hers.
Public-domain text, read in full here on John Shaqi.
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