Gloriana; or, the revolution of 1900Dixie, Florence, Lady
General
Gloriana; or, the revolution of 1900
Dixie, Florence, Lady
Speculative fiction; Utopias -- Fiction; Women's rights -- Fiction
MAREMNA’S DREAM.
INTRODUCTION TO
GLORIANA;
_OR, A DREAM OF THE REVOLUTION OF 1900_.
A rose-red sunset,
Mingling its radiance with the purple heath,
Flooding the silver lake with blushing light,
Dyeing the ocean grey a crimson hue,
Streaking the paling sky with rosy shafts;
Clinging to Nature with a ling’ring kiss,
Ere it shall vanish from a drowsy earth,
To rouse in new-deck’d cloak of shining gold
A waking world far o’er the ocean’s wave.
Maremna sleeps,
Close cushion’d in the heather’s warm embrace;
The rose-red sunset plays around her form—
A graceful, girlish figure, lithe and fair,
Small, slim, yet firmly knit with Nature’s power—
Unfetter’d Nature! which will not be bound
By Fashion’s prison rules and cultur’d laws.
Maremna sleeps.
One rosy cheek lies pillow’d on her hand,
And through her waving, wandering auburn curls
The zephyr cupids frolic merrily,
Tossing them to and fro upon her brow
In sportive play. It is a brow of thought,
Endow’d by God and Nature, though, alas!
Held in paralysis by selfish laws
Which strive to steal a fair inheritance,
And bid the woman bow the knee to man.
Maremna sleeps.
The white lids veil the large grey, lustrous eyes,
The auburn lashes sweep the sunlit cheeks,
Yet are they wet, and cling to the soft skin
Whereon the damp of tears is glazing fast.
Maremna’s sleep is not the sleep of rest,
For ever and anon the blood-red lips
Unclose, and strive to speak, but yet remain
Silent and speechless, tied by some dread force
Which intervenes, denying to the brain
That comfort which the power of speech doth bring.
Who is Maremna?—
A noble’s child, rear’d amidst Nature’s scenes,
Her earliest friends! _They_ guided her first steps,
Speaking of God and His stupendous works
Long ere Religion’s dogma intervened.
Child of a chieftain o’er whose broad domains
She roamed, a happy, free, unfetter’d waif,
Loving the mountain crag and forest lone,
The straths and corries, rugged glens and haunts
Of the red deer and dove-like ptarmigan;
Loving the language of the torrent’s roar,
Or the rough river’s wild bespated rush;
Loving the dark pine woods, amidst whose glades
The timid roe hides from the gaze of man;
Loving the great grey ocean’s varying face,
Now calm, now rugged, rising into storm,
Anon so peaceful, so serene, and still,
When passion’s fury sinks beneath the wave.
Public-domain text, read in full here on John Shaqi.
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