Gloriana; or, the revolution of 1900Dixie, Florence, Lady
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Gloriana; or, the revolution of 1900
Dixie, Florence, Lady
Speculative fiction; Utopias -- Fiction; Women's rights -- Fiction
He turns as he speaks, and tries to get through the crowd. What can she
do? She has little or no influence with him, and if she had, this is no
place in which to reason and argue with him. She feels downcast and sad;
for although she, like every one else, has little doubt in her mind that
Corrie Glen will win, there is just the chance, ever so slight, that he
might not. And if he does not, “well, what then?”
“Ruin!” she soliloquises half aloud, as she puts the question to
herself, and answers it in that one word. There is a bitter smile on
Flora Desmond’s face, for she knows what ruin would mean.
“Are you looking Corrie Glen over, Lady Flora?” inquires a voice at her
elbow. She has no need to turn round to discover the speaker, for she
knows the voice full well. It is that of Hector D’Estrange.
He has heard the conversation between Sir Reginald Desmond and his wife,
and as the former elbows his way through the crowd, he has pushed
forward and sidled into his place by her side.
“Yes, Mr. D’Estrange, I am,” she answers just a shade wearily. “Like
every one else, I am looking at the crack. I suppose he can’t be beat?
By-the-bye,” she adds hastily, “you’ve a horse in this race, haven’t
you?”
“I have a mare,” he replies significantly; “and whom do you think is
going to ride her, qualified for a jockey’s license, and everything on
purpose?”
“Who?” she inquires absently.
“Why, Bernie Fontenoy. The boy’s a splendid rider, and mark my words,
Lady Flora, if he doesn’t win, it will be a near thing between my Black
Queen and Corrie Glen.”
She starts. She has never known Hector D’Estrange to err yet, and her
husband’s rash act recurs more forcibly to her mind. “May I see Black
Queen?” she inquires hastily.
“Certainly,” he answers; “come with me.”
They push through the crowd, still surging round the chestnut horse, and
make their way across the paddock to a quiet spot, where very few people
are observable. A coal-black mare has just been stripped, and her jockey
is standing close beside her. His colours are tinselled-gold.
“That is Black Queen,” observes Hector D’Estrange quietly. “You are a
good judge of a horse, Lady Flora; what do you think of her?”
She does not reply, but walks up to within a few paces of the mare, and
looks her over keenly. She sees before her an animal which, to her eyes,
used though she is to good-looking horses, is a perfect picture. The
mare is coal-black; there is not a white hair on her; she is faultlessly
shaped all over.
“I think that I never saw a greater beauty in all my life!” exclaims
Flora Desmond, and there is a true ring of admiration in her tone. As
she speaks the Duke of Ravensdale comes up.
Public-domain text, read in full here on John Shaqi.
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