Gloriana; or, the revolution of 1900Dixie, Florence, Lady
General
Gloriana; or, the revolution of 1900
Dixie, Florence, Lady
Speculative fiction; Utopias -- Fiction; Women's rights -- Fiction
Let us look at the speakers, a mother and child, the former as she
stands leaning against a stone balustrade, which overlooks a small
Italian garden, upon which the sun is shining brightly. Far out beyond
is the gleaming sea, and on its sparkling, silvery sheen the woman’s
eyes are absently fixed as she hearkens to the complaining prattle of
the child by her side. She is a beautiful woman is Speranza de Lara, one
upon whom Dame Nature has showered her favours freely. As the stranger,
looking upon her for the first time, would deem her but a girl in years,
and exclaim admiringly at her beauty, it would be difficult to convince
him that her age is thirty-five, as in effect it is.
Speranza’s eyes are blue, with the turquoise shade lighting up their
clear depths, and a fringe of silky auburn eyelashes confining them
within bounds. Her magnificent hair is of a slightly lighter hue, and as
the sun plays on the heavy coil that is twisted gracefully upon her
noble head, the golden sparks dance merrily around it, like an aureole
of gold.
And the child? We must look nearer still at her, for she not only is
beautiful, but there is writ upon her face the glowing sign of genius.
Like her mother, Gloriana, or, as we shall prefer to call her, Gloria,
has blue eyes, but they are the blue of the sapphire, deep in
contradistinction to the turquoise shade, which characterises those of
Speranza. Auburn eyelashes, too, fringe the child’s wonderful eyes, but
again these are many shades darker than the mother’s, while masses of
auburn curls play negligently and unconfined, covering the girl’s back
like a veil of old-gold. Such is Gloriana de Lara at the age of twelve.
“Won’t Gloria tell mother what that ‘_ever so much_’ was?”
She puts the question gently, does Speranza. She has never moved from
the position in which we first found her, and her eyes are still
dreamily searching the waste of blue waters beyond. But as she speaks
the child puts her arm caressingly through that of the mother’s, and
lays her golden head against that mother’s shoulder.
“Ah! yes, mother, of course I will tell _you_.”
“Then tell me, Gloria.”
“I was imagining the foam flakelets to be girls, mother, and I looked
upon them as my audience. I told them, mother darling, of all the wrongs
that girls and women have to suffer, and then I bade them rise as one to
right these wrongs. I told them all I could think of to show them how to
do so, and then I told them that I would be their leader, and lead them
to victory or die. And the wavelets shouted, mother. I seemed to hear
them cheer me on, I seemed to see them rising into storm, the wind
uprose them, and their white foam rushed towards me, and I seemed to see
in this sudden change the elements of a great revolution.”
“Like a dream, Gloria.”
“A living dream, mother; at least it was so to me. It brought a feeling
to my heart, mother, which I know will never leave it more, until,
until——”
Public-domain text, read in full here on John Shaqi.
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