The finest tawed skins to be had were prepared for the Grenoble glovers in the mills at Millau and Annonay. Their value excelled that of any skins tawed by foreigners. On this fact, however, the prestige of the Grenoble glove did not rest. These beautiful skins were sent abroad to manufacturers all over Europe, so, in themselves, they did not create a monopoly in favor of the city really responsible for their superiority. No, it was her method of making gloves, the cutting and the sewing of them, which actually distinguished Grenoble. Her workers enjoyed a privileged position in the industry; they were celebrated far and near. Other localities did their best to entice them away; especially did Germany, Piedmont and Switzerland offer inducements, and, whenever possible, strangers would enter the Grenoble shops to spy upon these artists and steal their secrets. But they were never able to carry this far enough to establish any great competition in the international markets. The Grenoble glove continued to be much sought and exceedingly envied. Not able to procure elsewhere gloves of equal beauty, shapeliness and finish, merchants far and wide were obliged to supply themselves from the city of inimitable artists in the Dauphiné; and thus, without the slightest compulsion from the Grenoble manufacturers, these traders stimulated their business and spread their fame. The sewing women, M. Roux tells us, constituted a peculiar source of wealth to the Grenoble industry. Their exquisite handwork defied all rivalry; there were no other such accomplished sewers in all France, nor in any other country. To-day they are still celebrated; but then they formed an exclusive factor of Grenoble’s prestige. Apprenticed while young girls, they looked upon glove-making as a career, an art in which they desired to perfect themselves. The traditions of glove-making forebears held them to the ancient _metier_ of the place; and even more than the glovers and the male workers, they met the encroachments of self-seeking foreigners with an intuitive distrust and proud resistance. Under such conditions as these, the glove industry in Grenoble was able to support successfully the extreme vicissitudes of the post-Revolutionary era. Even while the wave of prosperity rolled, now high, now low, in face of other manufacturers it maintained an invincible superiority—none excelled the skill of its handwork. Others were unable to counterfeit this; it could not be imitated; never elsewhere was it equalled. But meanwhile, right at home, unsuspected forces were slowly working, which were destined to prove at the same time propitious and full of danger for the Grenoble glovers. The real revolution was approaching; the great, internal change which was to be the undoing of the old, the uprearing of a new industrial system upon the razed foundations of the old. The days of the craftsman and the artist were numbered.