Goat Alley: A Tragedy of Negro LifeCulbertson, Ernest Howard
General
Goat Alley: A Tragedy of Negro Life
Culbertson, Ernest Howard
African Americans -- Drama; American drama -- 20th century; Tragedies (Drama); Washington (D.C.) -- Drama
All yo’ wan’s dat two dollahs fo’ is ter git in a crap game.
SLIM (_advancing toward her menacingly_)
Gimme some money!
LUCY BELLE (_defiantly_)
Nuffin’ doin’!
SLIM
Gimme it! Yo’ yere--?
LUCY BELLE
I give yo’ nuffin’!
SLIM (_grabbing her by the wrist_)
Come on! Gimme two dollahs!
LUCY BELLE (_fiercely_)
No, no--! Slim--le’ go! W’at’s de mattah wid yo’! Le’ go!
SLIM
Gimme it, or I’ll twis’ yo’ damn arm off! (_He slowly twists her
wrist._)
LUCY BELLE (_crying out in pain and fright_)
Oh, mah Gawd! Slim! Slim! Stop--! Le’go! Don’--I’ll kill yo’ fo’ dis!
SLIM (_between his teeth_)
Git it! Git it!
LUCY BELLE
Slim! Fo’ Gawd’s sake! Oh, mah soul--don’--don’--(_Writhing with
torture, she sinks to her knees._)
SLIM
Yo’ wan’ me ter twis’ it off--?
LUCY BELLE (_choking with pain_)
A-all right--Stop! All right, Slim. I’ll git it fo’ yo’!
SLIM
Will yo’--?
LUCY BELLE
Yas, yas. Stop--please--! Lemme up--lemme up--Slim--
(_He slowly turns her wrist back to normal and relaxing his grip
somewhat allows her to rise. She stands limp and dazed for several
moments, as though endeavoring to pull herself together. She draws her
free hand slowly across her forehead._)
SLIM (_with savage impatience_)
Come on!
(_He tightens his hold somewhat. She gives a little cry of pain,
and her knees give. With Slim still gripping her wrist, she moves
unsteadily to table, Center._)
LUCY BELLE
All right--all right, Slim. I’ll git it fo’ yo’--.
(_He drops her wrist. She opens the small drawer of the table and takes
out an old and worn leather pocket book. She extracts two one-dollar
bills, hands them to him, then deftly stuffs the pocket book down in
one of her stockings. Slim jams the bills into his pocket, turns and
moves swiftly to the door, Back, and goes out._)
LUCY BELLE (_crying out after him_)
Yo’s a dirty dog! I--I’ll git yo’ fo’ dat--!
(_Lucy Belle sinks down into a chair and covers her face with her
hands. She looks up once and her face presents the picture of fierce,
tearful rage. Presently a knock sounds on the door, Back. Lucy Belle
jumps up with a start. The knock sounds again._)
LUCY BELLE (_in faltering tones_)
Come in!
(_The door opens and Chick Avery enters. He is a weak-faced, but
passably good-looking mulatto, of about thirty-five. He wears a suit
of smart clothes, somewhat the worse for wear. His feet are encased
in a pair of patent leather shoes which are slit about the toes to
relieve the pressure on those members. He is partially bald, but what
remains of his straight, jet-black hair is shiny from the generous use
of hair oil, and is carefully brushed to cover the bald spots as much
as possible. His manner for the most part, is extremely urbane and, by
fits and starts, exuberantly mirthful._)
CHICK (_doing a sort of clog dance toward her_)
H’yo’, Luce--!
LUCY BELLE (_exclaiming in mild surprise_)
Why--why, ’lo, Chick--!
CHICK
How’s de baby--?
LUCY BELLE
Pretty good, I reckon.
CHICK
All by yo’ lonesome--?
Public-domain text, read in full here on John Shaqi.
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