Goat Alley: A Tragedy of Negro LifeCulbertson, Ernest Howard
General
Goat Alley: A Tragedy of Negro Life
Culbertson, Ernest Howard
African Americans -- Drama; American drama -- 20th century; Tragedies (Drama); Washington (D.C.) -- Drama
Den come on--! Good drink set yo’ up jes’ right.
(_Lucy Belle takes a faltering step or two toward the door, Left. Just
then someone passes the window, Left Back, and heavy footsteps on
the pavement of the alley can be heard. Lucy Belle halts. She turns
and faces the door, Back. It opens and Sam Reed enters. He is a big
powerful Negro--dark brown in color--and about thirty-five. He wears
an old, torn suit of clothes, carries an old felt hat, and is without
a collar. His manner is straight-forward, well-meaning, kindly. His
movements and speech are deliberate--except when he is angry._)
SAM (_peering forward through the dim light at them_)
Luce--!
LUCY BELLE (_with a cry of mingled joy and agitation_)
Sam--!
SAM (_closing the door and moving slowly down to Center_)
H’yo’--?
LUCY BELLE (_leaps to his side and grabs his arm_)
Sam--Sam-boy! Jes’ talkin’ wid--wid Chick Avery yere--yo’--yo’ knows
Chick--
CHICK (_circumspectly_)
H’yo’, Sam.
(_Sam glowers at Chick for a moment before replying._)
SAM (_at length--with ill grace_)
H’yo’--!
LUCY BELLE
Light de lamp, Chick. (_To Sam._) _Po_-lice raid a crap game down de
alley--an’--an’ we puts out de light.
(_Chick strikes a match and lights the lamp on the table, Center._)
LUCY BELLE (_in eager vibrant tones of affection as she gazes up at
him_)
Sam-boy, I’se so glad ter see yo’! How is yo’?
SAM
Pretty good.
LUCY BELLE
Did’n’ hardly ’spec’ yo’ ternight.
SAM
Shower come up an’ we quits early.
LUCY BELLE
Gawd bless yo’--! (_Casting about for something to relieve the
constraint of the situation somewhat, she spies his hat, grabs it and
begins to industriously dust it off with her sleeve._) Mus’-a been
playin’ football wid dis ole hat.
SAM (_with a contemptuous glance at Chick_)
I’se been doin’ a man’s wuk.
LUCY BELLE (_with a forced, nervous laugh_)
Been standin’ on yo’ haid!
CHICK (_doing a light clog dance toward the door, Back_)
On mah way, Luce. See yo’ some mo’.
LUCY BELLE
W’at’s yo’ hurry--?
CHICK
Got some bus’ness ter ’tend ter--ovah at Gerner’s. (_Gives an explosive
laugh._)
(_Lucy Belle makes a wry face, and finally breaks into a little nervous
giggle._)
LUCY BELLE
Goodbye, Chick. See yo’ some mo’.
CHICK (_over his shoulder_)
See yo’ some mo’, Sam.
(_Sam nods glumly and grunts. Chick goes out, Back._)
SAM (_sharply_)
W’at he doin’ ’roun’ yere--?
LUCY BELLE
Jes’--jes’ drap in ter say “howdy”.
SAM
Don’ wan’ nobody like him hangin’ ’roun’.
LUCY BELLE
He--he’s an ole frien’-a mine.
SAM (_nodding_)
Damn pool room spoaht!
LUCY BELLE
No, no, Sam-boy! He’s a barber--an’ makes good money. Wukkin’ all de
time.
SAM
Nevah seen a barber dat was any good.
LUCY BELLE
He ain’ so bad. An’ he don’ come ’roun’ yere--oh, only onct in a long
time. (_Glancing toward the door, Left._) We keep on talkin’ like dis,
dem chillen wake up an’ make a fuss.
Public-domain text, read in full here on John Shaqi.
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