In the odes He revealed, whilst wrapped in His devotions during those days
of utter seclusion, and in the prayers and soliloquies which, in verse and
prose, both in Arabic and Persian, poured from His sorrow-laden soul, many
of which He was wont to chant aloud to Himself, at dawn and during the
watches of the night, He lauded the names and attributes of His Creator,
extolled the glories and mysteries of His own Revelation, sang the praises
of that Maiden that personified the Spirit of God within Him, dwelt on His
loneliness and His past and future tribulations, expatiated upon the
blindness of His generation, the perfidy of His friends and the perversity
of His enemies, affirmed His determination to arise and, if needs be,
offer up His life for the vindication of His Cause, stressed those
essential pre-requisites which every seeker after Truth must possess, and
recalled, in anticipation of the lot that was to be His, the tragedy of
the Imám Ḥusayn in Karbilá, the plight of Muḥammad in Mecca, the
sufferings of Jesus at the hands of the Jews, the trials of Moses
inflicted by Pharaoh and his people and the ordeal of Joseph as He
languished in a pit by reason of the treachery of His brothers. These
initial and impassioned outpourings of a Soul struggling to unburden
itself, in the solitude of a self-imposed exile (many of them, alas lost
to posterity) are, with the Tablet of Kullu’t-Tá’am and the poem entitled
Ra_sh_h-i-‘Amá, revealed in Ṭihrán, the first fruits of His Divine Pen.
They are the forerunners of those immortal works—the Kitáb-i-Íqán, the
Hidden Words and the Seven Valleys—which in the years preceding His
Declaration in Ba_gh_dád, were to enrich so vastly the steadily swelling
volume of His writings, and which paved the way for a further flowering of
His prophetic genius in His epoch-making Proclamation to the world,
couched in the form of mighty Epistles to the kings and rulers of mankind,
and finally for the last fruition of His Mission in the Laws and
Ordinances of His Dispensation formulated during His confinement in the
Most Great Prison of Akká.
Public-domain text, read in full here on John Shaqi.
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