Biographical fiction; Historical fiction; Short stories, English
The pool was spread with the thick-veined leaves of water-lilies and
upright plants with succulent stalks broke the surface of the water. In
between the sky was reflected placidly, and the Duchess looked down at
the counterfeit of her face as clearly given as if in a hand-mirror.
It was no longer a young face; beauty was painted on it skilfully;
false red, false white, bleached hair cunningly dyed, faded eyes
darkened on brow and lash, lips glistening with red ointment, the lost
loveliness of throat and shoulders concealed under a lace of gold and
pearls, made her look like a portrait of a fair woman, painted crudely.
And, also like one composed for her picture, her face was
expressionless save for a certain air of gentleness, which seemed as
false as everything else about her–false and exquisite, inscrutable
and alluring–alluring still with a certain sickly and tainted charm,
slightly revolting as were the perfumes of her unguents when compared
to the pure scents of trees and flowers. Her women had painted faces,
too, but they were plainly gowned, one in violet, one in crimson, while
the Duchess blazed in every device of splendour.
Her dress, of citron-coloured velvet, trailed about her in huge folds,
her bodice and her enormous sleeves sparkled with tight-sewn jewels;
her hair was twisted into plaits and curls and ringlets; in her ears
were pearls so large that they touched her shoulders.
She trembled in her splendour and her knees bent; the two women stood
silent, holding her up–they were little more than slaves.
She continued to gaze at the reflection of herself; in the water she
was fair enough. Presently she moistened her painted lips with a quick
movement of her tongue.
“Will you go in, Madonna?” asked one of the women.
The Duchess shook her head; the pearls tinkled among the dyed curls.
“Leave me here,” she said.
She drew herself from their support and sank heavily and wearily on the
marble rim of the pool.
“Bring me my cloak.”
They fetched it from a seat among the laurels; it was white velvet,
unwieldy with silver and crimson embroidery.
Lucrezia drew it round her shoulders with a little shudder.
“Leave me here,” she repeated.
They moved obediently across the soft grass and disappeared up the
laurel-shaded steps that led to the terraces before the high-built
palace.
The Duchess lifted her stiff fingers, that were rendered almost useless
by the load of gems on them, to her breast.
Trails of pink vapour, mere wraiths of clouds began to float about the
west; the long Italian twilight had fallen.
A young man parted the bushes and stepped on to the grass; he carried
a lute slung by a red ribbon across his violet jacket; he moved
delicately, as if reverent of the great beauty of the hour.
Lucrezia turned her head and watched him with weary eyes.
Public-domain text, read in full here on John Shaqi.
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