Biographical fiction; Historical fiction; Short stories, English
Don Juan began to fear and hate his second-in-command, the Prince of
Parma, Alessandro Farnese, a man of his own age, but his nephew, for
Farnese’s mother was Margaret, daughter of Charles V.
This man was in the confidence of the King; Don Juan knew and feared
that fact. He began to dread the sight of the dark Italian face; the
figure of Farnese seemed to him like that of a spy–or executioner.
When he had fought Boussu at Rynemants he had been ill; when he had
held the useless conference with the English envoys he had scarcely
been able to hold himself on his horse, and when he returned to the
camp on the heights of Bouges outside Namur he fell to his knees as he
dismounted and could not rise for the weight of his armour.
They carried him to the quarter of the regiment of Figueroa and lodged
him in a pigeon-house or place for fowls belonging to a Flemish farm
the Spanish guns had demolished.
No one knew what illness ailed him; some spoke of the plague, some of
the Dutch fever, others said he had worn himself out with the fatigues
of war and the delights of Italy.
The fever increased on him; he wrote to Mendoza, the Spanish agent at
Genoa; he wrote to Andrea D’Aria, his companion in arms of Lepanto; he
wrote to the King. But with little hope, for he felt himself abandoned.
Monseigneur François D’Anjou, brother of the King of France, was
at Mons and had taken on himself the title of Defender of the Low
Countries against the Spanish Tyranny; Don Juan had only eighteen
thousand men, of which six thousand were Spanish, old, tried troops,
and the rest merely Walloon and German mercenaries of doubtful loyalty.
They had scarcely any artillery and but little powder.
The plague appeared in the camp, numbers of the small army sickened and
died.
There came news that the English were sailing for Flushing and that
William of Orange was advancing on Namur.
Don Juan of Austria lay in the pigeon-house, prostrate with fever, sad
and silent.
It was the end of September; day after day was sunny, with a
honey-coloured peaceful light resting on the camp, on the two rivers,
on the fortifications of Namur; the windmills stood motionless in the
stagnant air; the few willows by the river turned from grey-green to
dull amber and shook their long leaves on the soft, muddy bank; the
horizon was veiled in mist, yellow, soft and mournful; at night the
moon rose pale gold through languid dusky vapours; in the morning the
sun rose, glimmering through melancholy mists, and above the camp hung,
day and night, the fumes of the plague, of fever, the exhalations of
decay and sickness, the close odours of death.
Public-domain text, read in full here on John Shaqi.
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