Fashion -- 19th century -- Periodicals; United States -- Social life and customs -- 19th century -- Periodicals; Women's periodicals, American
as was formerly in use, gave the name to _post_ paper.
[Illustration: Fig. 6.]
[Illustration: Fig. 7.]
The _deckle_ is a thin square mahogany frame, bound with brass at the
angles; its outer dimensions correspond with the size of the mould,
and its inner with that of the sheet of paper. The use of the frame is
to retain the pulp upon the wire-cloth; it must be quite flat, so as
to fit the cloth of the mould, otherwise the edges of the paper will
be ragged and badly finished. When the deckle is placed upon the wire
of the mould it forms a shallow sieve, in which the paper-maker takes
up a quantity of the pulp suspended in water, and, the water draining
through, leaves the pulp in the form of a sheet upon the wire. The
deckle is not fastened to the mould, but is held to it by the workman
grasping the mould and deckle together in both hands at the opposite
sides. When the sheet is moulded the deckle is removed, and the sheet
is taken up from the wire by laying it on a piece of _felt_ or woollen
cloth. These felts prevent the sheets from coming together, and they
also serve to imbibe a portion of the water from the damp and loosely
cohering sheet.
The wood-cut at the commencement of this article represents the process
of making paper by hand.
Upon looking at the cut, it will be seen that one of the two men
employed is dipping the deckle into the vat. This vat is supplied
with _stuff_ from the chest already described; and that stuff is kept
warm by a copper within the vat, to which heat is communicated by
a steam-pipe. It is also agitated by machinery within. The workman
forming the sheet, who is called a vatman, is provided with two moulds.
These are slight frames of wood, covered with fine wire. Fitting to
each mould is a deckle, or movable raised edging, which determines the
size of the sheet. The vatman, putting the deckle on one of the moulds,
dips it vertically into the stuff; and bringing it to the surface
horizontally, covered with pulp, shakes it gently. It must be evident
that this operation requires the greatest nicety, both in determining
the general thickness of the sheet, and in producing it of an uniform
thickness throughout. The vatman then pushes the mould with the sheet
towards his fellow-workman, who is called the coucher; and, taking off
the deckle, applies it to the second mould, and proceeds as before. The
coucher, who receives the first mould, having a heap of porous pieces
of flannel by his side, called felts, turns the mould over upon a felt,
upon which the sheet remains; and, placing a felt on the sheet, he is
ready to turn over another from the second mould. Thus the vatman and
the coucher proceed, the one moulding a sheet of paper and the other
placing it upon felt, till they have made six or eight quires. The heap
is then subjected to the action of a powerful press. The sheets, after
this pressure, have acquired sufficient consistency to enable them to
be pressed again by themselves.
Public-domain text, read in full here on John Shaqi.
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