Fashion -- 19th century -- Periodicals; United States -- Social life and customs -- 19th century -- Periodicals; Women's periodicals, American
The pupil may now proceed to more ambitious attempts in the art of
delineation. Fig. 23 is the representation of a box supposed to be
standing on a table. It is formed entirely of straight lines. She
should draw the front oblong first, then the end, taking care to make
the perpendicular boundary line farthest from the eye rather shorter
than the first line, in order to give the perspective appearance to the
representation. In this section we do not give the rules of perspective
delineation, preferring to let the pupil become acquainted therewith
after she has acquired the necessary facility for copying objects as
they appear presented to her eye; this to us appearing the most natural
course, as perspective cannot be taught unless the objects which
illustrate the rules, and which are to be found in all perspective
delineations, can themselves be sketched with ease. As soon as a pupil
can copy an object correctly, so far as her own ideas go, she will at
once perceive the utility of an art which, by stated rules, will enable
her to test the accuracy of her proceedings.
Fig. 24 is a free outline sketch of a pump; by drawing the lower square
first, thereafter the end and top, and next the upright oblong, finally
putting in the handle and spout, the delineation will speedily be
effected. The pupil at this stage should attempt to delineate the forms
presented by placing boxes, square blocks, bricks, &c., in various
positions.
[Illustration: Fig. 24.]
[Illustration: Fig. 25.]
Fig. 25 is the representation of a book lying on its side; it is formed
of both straight and curved lines. She should draw the horizontal lines
first, then the oblique, taking care to make the two lines forming the
top nearly parallel, and the others slightly to approach each other, to
give the idea of distance; the under lines may be strengthened as in
the figure, which will compensate for the absence of light and shade.
[Illustration: Fig. 26.]
Fig. 26 affords a good exemplification of the use of the oval or
ellipse in forming leaves, &c. In the first place, a correct ellipse
is to be drawn, thereafter the top _a_ and the end _b_ of the leaf,
rubbing out the parts _c c_ not required, and, lastly, putting in the
fibres, as in the figure. The leaf is finished by putting in the
serrated or saw-like edges, as in Fig. 27.
[Illustration: Fig. 27.]
Fig. 28 is formed in the same way, the only difference being that the
leaf is comprised _within_ the ellipse; the parts _a a_ being rubbed
out, and the edges filled as in Fig. 29.
[Illustration: Fig. 28.]
[Illustration: Fig. 29.]
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