Fashion -- 19th century -- Periodicals; United States -- Social life and customs -- 19th century -- Periodicals; Women's periodicals, American
The desks are made by being so framed together as to give strength,
then veneered, and, after being varnished and polished, are sawed out
in beautiful forms and shapes by scroll saws, in the machine-shop. They
have thus to pass through quite a number of processes before they are
ready to constitute a part of a finished piano-forte. The same can be
said of many other parts of the instrument that are made separate, and
applied when wanted in the instrument, such as lyres, leg-blocks, or
caps, &c. And, as each workman is employed at but one branch alone, and
perfects his part, it is evident that, when put together correctly, the
whole will be perfect. And, as Messrs. Boardman & Gray conduct their
business, there are from twenty to twenty-four distinct kinds of work
or trades carried on in their establishment. Thus, the case-maker makes
cases; the leg-maker legs; the key-maker keys; the action-maker action;
the finisher duts the action into the piano; the regulator adjusts it;
and thus each workman bends the whole of his energies and time to the
one branch at which he is employed. The result of this division of
labor is strikingly shown in the perfection to which Messrs. Boardman
& Gray have brought the art of piano-forte making, as may be seen in
their superior and splendid instruments.
The putting together the different parts of the piano-forte, such as
the top, the legs, the desk, the lyre, &c., to the case, constitutes
what is called fly-finishing. The top is finished by the case-maker
in one piece, and remains so until varnished and polished; then the
fly-finisher saws it apart, and applies the butts or hinges, so that
the front will open over the keys; puts on all the hinges; hangs the
front or "lock-board" to the top; and completes it. He also takes the
legs as they come from the leg-maker, and fits them to the case by
means of a screw cut on some hard wood, such as birch or iron-wood,
one end of which is securely fastened into the leg, and the other end
screws into the bottom of the piano. The fly-finisher also puts on the
castors, locks, and all the finishing minutiæ to complete the external
furniture of the instrument, when it is ready for the ware-rooms, to
which it is next lowered by means of a steam elevator, sufficiently
large to hold a piano-forte placed on its legs, together with the
workman in charge of it.
The following plate exhibits a piano-forte on the elevator passing
from the fly-finisher's department to the ware-rooms. Of these steam
elevators there are two, one at each end of the building; one for
passing workmen, as well as lumber, to and from the machine-shop and
drying-rooms, and one for passing cases and pianos up and down to the
different rooms. Much ingenuity is shown in their construction, being
so adjusted as to be sent up or down by a person on either floor, or
by one on the platform, who, going or stopping at will, thus saves an
immense amount of hard labor.
Public-domain text, read in full here on John Shaqi.
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