THE manufacture of artificial flowers, first brought to a high degree of excellence by the Italians, is one of no small importance, considering the amount of skill and labor which it brings into requisition. The first attempt at making artificial flowers among civilized nations was by twisting ribbons of different colors somewhat into the shape of flowers, and fastening them to wire stems. This yielded to the use of feathers, which were far more elegant, but could not always be made to imitate in color the flowers which they represented, there being considerable difficulty in getting them to take the dyes. Where the plumage of birds is of great brilliancy, the natural colors admirably answer the purpose, and do not fade or lose their resplendent hues. Thus, in South America, the savages have long known how to fabricate beautiful artificial flowers from such plumage. In Italy, the cocoons of silkworms are often used, and have a soft and velvety appearance, while they take a brilliant dye. In France, the finest cambric is the chief material, while wax is also largely employed. The arrangement of the workshop, and the variety and use of tools, where flower-making is practised on a large scale, are as follows:-- [Illustration: Fig. 1.] A large and well-lighted room, which has the means of warmth in winter, is selected, and along its whole extent is placed a table, similar to the writing-tables used in schools, where the work-people may have a good light as long as possible. This table is fitted with drawers containing numerous compartments, arranged so as to receive and keep separate the small parts of flowers, such as petals, stalks, minute blossoms catkins, buds, leaves not mounted on their stalks and all other parts not fit to be placed among more finished specimens. It is desirable that the table be covered with oil-cloth, so that it may be frequently cleansed, by washing, from the stains of the different colors employed. Along the whole extent of this table are placed flower-holders, that is, light frames with horizontal iron wires, to which the flowers, when attached to their stalks, are suspended by merely crooking the end of the stalk, and hanging it on the wire. Sometimes tightly strained pack-thread is used instead of wire. Figs. 1 and 2 represent two forms of flower-holder; in both cases the frame is fixed to the table. Along the tables are also ranged bobbin-holders in considerable numbers, not unlike those used by weavers. The bobbin-holder is a rod of iron, Fig. 3, about six inches high, fixed in a massive leaden or wooden base. On this rod is threaded a large bobbin, on which is wound a quantity of silk or wool. On its summit may be fixed a nut, to prevent the bobbin, when in rapid motion, from whirling off the rod, but this is often omitted. Ladies who work for their pleasure frequently have this bobbin-holder made in an ornamental form, the base being covered with bas-reliefs, and the nut at the top taking the form of