William W. Kolderup had returned to his mansion in Montgomery Street.
This thoroughfare is the Regent Street, the Broadway, the Boulevard des
Italiens of San Francisco. Throughout its length, the great artery which
crosses the city parallel with its quays is astir with life and
movement; trams there are innumerable; carriages with horses, carriages
with mules; men bent on business, hurrying to and fro over its stone
pavements, past shops thronged with customers; men bent on pleasure,
crowding the doors of the "bars," where at all hours are dispensed the
Californian's drinks.
There is no need for us to describe the mansion of a Frisco nabob. With
so many millions, there was proportionate luxury. More comfort than
taste. Less of the artistic than the practical. One cannot have
everything.
So the reader must be contented to know that there was a magnificent
reception-room, and in this reception-room a piano, whose chords were
permeating the mansion's warm atmosphere when the opulent Kolderup
walked in.
"Good!" he said. "She and he are there! A word to my cashier, and then
we can have a little chat."
And he stepped towards his office to arrange the little matter of
Spencer Island, and then dismiss it from his mind. He had only to
realize a few certificates in his portfolio and the acquisition was
settled for. Half-a-dozen lines to his broker--no more. Then William W.
Kolderup devoted himself to another "combination" which was much more to
his taste.
Yes! she and he were in the drawing-room--she, in front of the piano;
he, half reclining on the sofa, listening vaguely to the pearly
arpeggios which escaped from the fingers of the charmer.
"Are you listening?" she said.
"Of course."
"Yes! but do you understand it?"
"Do I understand it, Phina! Never have you played those 'Auld Robin
Gray' variations more superbly."
"But it is not 'Auld Robin Gray,' Godfrey: it is 'Happy Moments.'"
"Oh! ah! yes! I remember!" answered Godfrey, in a tone of indifference
which it was difficult to mistake. The lady raised her two hands, held
them suspended for an instant above the keys as if they were about to
grasp another chord, and then with a half-turn on her music-stool she
remained for a moment looking at the too tranquil Godfrey, whose eyes
did their best to avoid hers.
Public-domain text, read in full here on John Shaqi.
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