Godolphin, CompleteLytton, Edward Bulwer Lytton, Baron
General
Godolphin, Complete
Lytton, Edward Bulwer Lytton, Baron
England -- Social life and customs -- 19th century -- Fiction
“Very well! I am glad to hear it. Had you not better mount and rest
yourself in the coach? You can take my place--I am studying a new part.
We have two miles farther to B---- yet.”
Percy accepted the invitation, and was soon by the side of the pretty
actress. The horses broke into a slow trot, and thus delighted with his
adventure, the son of the ascetic Godolphin, the pupil of the courtly
Saville, entered the town of B----, and commenced his first independent
campaign in the great world.
CHAPTER V.
THE MUMMERS.--GODOLPHIN IN LOVE.--THE EFFECT OF FANNY MILLINGER’S ACTING
UPON HIM.--THE TWO OFFERS.--GODOLPHIN QUITS THE PLAYERS.
Our travellers stopped at the first inn in the outskirts of the town.
Here they were shown into a large room on the ground-floor, sanded, with
a long table in the centre; and, before the supper was served, Percy
had leisure to examine all the companions with whom he had associated
himself.
In the first place, there was an old gentleman, of the age of
sixty-three, in a bob-wig, and inclined to be stout, who always played
the _lover_. He was equally excellent in the pensive Romeo and the
bustling Rapid. He had an ill way of talking off the stage, partly
because he had lost all his front teeth: a circumstance which made him
avoid, in general, those parts in which he had to force a great deal of
laughter. Next, there was a little girl, of about fourteen, who played
angels, fairies, and, at a pinch, was very effective as an old woman.
Thirdly, there was our free-and-easy cavalier, who, having a loud voice
and a manly presence, usually performed the tyrant. He was great in
Macbeth, greater in Bombastes Furioso. Fourthly, came this gentleman’s
wife, a pretty, slatternish woman, much painted. She usually performed
the second female--the confidante, the chambermaid--the Emilia to the
Desdemona. And fifthly, was Percy’s new inamorata,--a girl of about
one-and-twenty, fair, with a nez retrousse: beautiful auburn hair, that
was always a little dishevelled; the prettiest mouth, teeth, and dimple
imaginable; a natural colour; and a person that promised to incline
hereafter towards that roundness of proportion which is more dear to the
sensual than the romantic. This girl, whose name was Fanny Millinger,
was of so frank, good-humoured, and lively a turn, that she was the idol
of the whole company, and her superiority in acting was never made a
matter of jealousy. Actors may believe this, or not, as they please.
“But is this all your company?” said Percy.
“All? no!” replied Fanny, taking off her bonnet, and curling up her
tresses by the help of a dim glass. “The rest are provided at the
theatre along with the candle-snuffer and scene-shifters part of the
fixed property. Why won’t _you_ take to the stage? I wish you would! you
would make a very respectable--page.”
“Upon my word!” said Percy, exceedingly offended.
Public-domain text, read in full here on John Shaqi.
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