Godolphin, Volume 1.Lytton, Edward Bulwer Lytton, Baron
General
Godolphin, Volume 1.
Lytton, Edward Bulwer Lytton, Baron
England -- Social life and customs -- 19th century -- Fiction
"Very well! I am glad to hear it. Had you not better mount and rest
yourself in the coach? You can take my place--I am studying a new part.
We have two miles farther to B---- yet."
Percy accepted the invitation, and was soon by the side of the pretty
actress. The horses broke into a slow trot, and thus delighted with his
adventure, the son of the ascetic Godolphin, the pupil of the courtly
Saville, entered the town of B----, and commenced his first independent
campaign in the great world.
CHAPTER V.
THE MUMMERS.--GODOLPHIN IN LOVE.--THE EFFECT OF FANNY MILLINGER'S ACTING
UPON HIM.--THE TWO OFFERS.--GODOLPHIN QUITS THE PLAYERS.
Our travellers stopped at the first inn in the outskirts of the town.
Here they were shown into a large room on the ground-floor, sanded, with a
long table in the centre; and, before the supper was served, Percy had
leisure to examine all the companions with whom he had associated himself.
In the first place, there was an old gentleman, of the age of sixty-three,
in a bob-wig, and inclined to be stout, who always played the _lover_. He
was equally excellent in the pensive Romeo and the bustling Rapid. He had
an ill way of talking off the stage, partly because he had lost all his
front teeth: a circumstance which made him avoid, in general, those parts
in which he had to force a great deal of laughter. Next, there was a
little girl, of about fourteen, who played angels, fairies, and, at a
pinch, was very effective as an old woman. Thirdly, there was our
free-and-easy cavalier, who, having a loud voice and a manly presence,
usually performed the tyrant. He was great in Macbeth, greater in
Bombastes Furioso. Fourthly, came this gentleman's wife, a pretty,
slatternish woman, much painted. She usually performed the second
female--the confidante, the chambermaid--the Emilia to the Desdemona. And
fifthly, was Percy's new inamorata,--a girl of about oneand-twenty, fair,
with a nez retrousse: beautiful auburn hair, that was always a little
dishevelled; the prettiest mouth, teeth, and dimple imaginable; a natural
colour; and a person that promised to incline hereafter towards that
roundness of proportion which is more dear to the sensual than the
romantic. This girl, whose name was Fanny Millinger, was of so frank,
good-humoured, and lively a turn, that she was the idol of the whole
company, and her superiority in acting was never made a matter of
jealousy. Actors may believe this, or not, as they please.
"But is this all your company?" said Percy.
"All? no!" replied Fanny, taking off her bonnet, and curling up her
tresses by the help of a dim glass. "The rest are provided at the theatre
along with the candle-snuffer and scene-shifters part of the fixed
property. Why won't _you_ take to the stage? I wish you would! you would
make a very respectable--page."
"Upon my word!" said Percy, exceedingly offended.
Public-domain text, read in full here on John Shaqi.
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