Godolphin, Volume 2.Lytton, Edward Bulwer Lytton, Baron
General
Godolphin, Volume 2.
Lytton, Edward Bulwer Lytton, Baron
England -- Social life and customs -- 19th century -- Fiction
This eBook was produced by Andrew Heath
and David Widger
GODOLPHIN, Volume 2.
By Edward Bulwer Lytton
(Lord Lytton)
CHAPTER XV.
THE FEELINGS OF CONSTANCE AND GODOLPHIN TOWARDS EACH OTHER.--THE
DISTINCTION IN THEIR CHARACTERS.--REMARKS ON THE EFFECTS PRODUCED BY THE
WORLD UPON GODOLPHIN.--THE HIDE.--RURAL DESCRIPTIONS.--OMENS.--THE FIRST
INDISTINCT CONFESSION.
Every day, at the hour in which Constance was visible, Godolphin had
loaded the keeper, and had returned to attend upon her movements. They
walked and rode together; and in the evening, Godolphin hung over her
chair, and listened to her songs; for though, as I have before said, she
had but little science in instrumental music, her voice was rich and soft
beyond the pathos of ordinary singers.
Lady Erpingham saw, with secret delight, what she believed to be a growing
attachment. She loved Constance for herself, and Godolphin for his
father's memory. She thought again and again what a charming couple they
would make--so handsome--so gifted: and if Prudence whispered also--so
poor, the kind Countess remembered, that she herself had saved from her
ample jointure a sum which she had always designed as a dowry for
Constance, and which, should Godolphin be the bridegroom, she felt she
should have a tenfold pleasure in bestowing. With this fortune, which
would place them, at least, in independence, she united in her kindly
imagination the importance which she imagined Godolphin's talents must
ultimately acquire; and for which, in her aristocratic estimation, she
conceived the senate the only legitimate sphere. She said, she hinted,
nothing to Constance; but she suffered nature, youth, and companionship to
exercise their sway.
And the complexion of Godolphin's feelings for Constance Vernon did indeed
resemble love--was love itself, though rather love in its romance than its
reality. What were those of Constance for him? She knew not herself at
that time. Had she been of a character one shade less ambitious, or less
powerful, they would have been love, and love of no common character. But
within her musing, and self-possessed, and singularly constituted mind,
there was, as yet, a limit to every sentiment, a chain to the wings of
every thought, save those of one order; and that order was not of love.
There was a marked difference, in all respects, between the characters of
the two; and it was singular enough, that that of the woman was the less
romantic, and composed of the simpler materials.
A volume of Wordsworth's most exquisite poetry had then just appeared.
"Is not this wonderful?" said Godolphin, reciting some of those lofty,
but refining thoughts which characterise the Pastor of modern poets.
Constance shook her head.
"What! you do not admire it?"
"I do not understand it."
"What poetry do you admire?"
"This."
It was Pope's translation of the Iliad.
"Yes, yes, to be sure," said Godolphin, a little vexed; "we all admire
this in its way: but what else?"
Public-domain text, read in full here on John Shaqi.
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